I knew I’d love The Grotlyn. It’s nostalgic — think Janet and Allan Ahlberg’s Happy Families or Burglar Bill, only with an edge, and a thrill of the macabre. Dickensian London is captured so beautifully, it’s already filmic in it’s composition.
Art Is Never the Easy Option, Don’t Let Anyone Tell You Differently . . .
Mark Chambers has been with Bright from the very beginning. Through sheer determination, hard work and an ability to adapt and develop his style over time, he has made illustration his career, and a successful one at that.
Rachael Saunders’ has added another gorgeous design to the Radley collection. Her latest design features a beautiful Autumnal scene with the Radley pups at play.