Fiona Woodcock Wins World Illustration Award Children’s Book Category 2019

We are delighted and incredibly proud that Bright author illustrator Fiona Woodcock has won the World Illustration Awards 2019 Children’s Book Category for her children’s book LOOK, published by HarperCollins US imprint Greenwillow Books.

title Fiona at Somerset House for the World Illustration Awards 2019

Told entirely in words that contain a double ‘O’, LOOK is the story of a brother and sister’s day, including a trip to the zoo, where they discover baboons, balloons and many more delights!


The engaging, interactive text is perfect for emerging readers – encouraging them to read through the blend of letters and pictures – and has captured the hearts of both children and adults with its heart-warming illustrations and fun word play.


Established over 40 years ago, the AOI’s World Illustration Awards are widely respected across the industry, offering a comprehensive insight into the ideas, trends and techniques that are at the forefront of illustration today. Previous winners of the award include Benji Davies in 2015 for Grandad’s Island (published by Simon & Schuster).


“It is such an enormous honour and a beautiful surprise for LOOK to receive this World Illustration Award. I was thrilled to be shortlisted amongst so many brilliant children’s books, so to be given this recognition from the judges really does mean a lot.

“There’s a lovely sense of things linking back up, because I first came across The Bright Agency at an AOI talk held at Somerset House six years ago. And I always visit the World Illustration Awards exhibition, so I’m incredibly proud to have been a part of it this year.

title Fiona with her winning artwork, Fiona and Bright MD Vicki Willden-Lebrecht and Director Arabella Stein at Somerset House

“The concept for the book was an idea I had many years ago and when I eventually started trying to shape it into a book my personal brief was to produce a vibrant and playful story using double ‘O’ words. I incorporated the ‘OO’ letters into the illustrations to encourage children to engage with both the words and pictures together.

“The initial inspiration came from a pair of 2003 New Year’s glasses. The double zeros transformed into double ‘O’ words in my sketches and I started playing around with both the shape and sound, experimenting with words which worked well when incorporated in the image.”


“Once the difficult part of deciding on the sequence of events was resolved it was a real pleasure to focus on the artwork. I created every element of the illustration individually on paper, using stencils and rubber stamps to create varied areas of textured colour. Then I composited them together like a collage digitally, sometimes changing the size and colour if needed. This final stage came together relatively quickly after all those years of walking around with the idea knocking around in the back of my head.


“This book taught me to persevere with my ideas, even though they might not exactly fit with picture book conventions.”

“I find that publishers are often after unique individuals, so I think about what I love to draw best and let ideas grow from that. Of course, making books is a team game, so I’d like to say a big thank you to Greenwillow Books for seeing the potential in my idea.”


To see Fiona’s portfolio, please click here.

To work with Fiona, please contact Arabella Stein.

Anjelica Roselyn – Style Sketch Show

As part of The London Design Festival,  Regents Street hosted a series of in store and on store events, installations and talks. Angelica, commissioned by the Communication Store, was centre stage capturing sartorial shoppers in Ted Baker and Aquascutum, creating unique portraits to take home.

Anjelica Roselyn is represented by Lipstick of London


Viktor Koen’s and Istvan Banyai’s work is featured in an exhibition looking at today’s political climate at The School of Visual Arts in NYC.

Viktor Koen and Istvan Banyai are part of a select grouping of 53 illustrators, cartoonists and animators featured in “Art as Witness: Political Graphics 2016-18” at the School of Visual Arts in New York. This powerful and inspiring exhibition shows us how, in today’s political climate, artists are using satire to record and respond to the current state of affairs.


Beautython: A Celebration of Beauty in London.

Lucia Emanuela Curzi is invited back to Covent Garden's second annual Beautython

Following the success of Lucia's, Beautython campaign for Covent Garden last year she has once again been commissioned by Mission Media for Beautython 2018,  this time to design a map of the shops of Covent Garden which will be used across all social channels and also in a print campaign.

To kick off the start of Beautython 2018, Covent Garden is pairing up with Glamour Magazine to launch an exclusive panel discussion, the Future of Beauty, at The Shop at Bluebird on Thursday 13th September.

From Thursday 13th September until Sunday 23rd September, over 30 beauty brands will host in-store events, exclusive product launches and Thursday late night shopping.

The map paired with her other illustration have been used to promote the event that sees a partnership with Glamour magazine for tomorrow's event. A video showing the making of the illustration has also been posted on Covent Garden's Instagram with much applaud.

To watch Lucia's technique video click HERE



Bright’s Senior Licensing Agent, and newly-appointed director, Hannah Curtis, was honoured to be invited to join the small-but-select panel of judges to decide the award for SAA New Talent in Illustration Associate Prize at the prestigious New Designers Awards, taking place at London’s Business Design Centre this week.

We caught up with Hannah after the ceremony to hear about the exhilarating - but also slightly daunting - process of appraising the assembled new illustration talent on display, and selecting just one winner…


New Designers is renowned for launching the next generation of design talent in the UK. The breadth and wealth of skills is extraordinary and exciting. Graduates are transitioning from the comfort of their degree into the commercial world of design. Specifically looking for illustrators, the appointed SAA agents met to discuss their criteria and how best to sift through the pool of talent.

New Designers Show 2018, Week 2 (4-7 July), inside the Business Design Centre; the SAA judging panel roundtable (literally!); smart stationery, and helpful button badge, for the selection process

We all agreed we were looking for fresh, inspired, new and exciting design. So many trends just keep filtering through, and there is an air of ‘I’ve seen it all before’ despite the creative skill and execution demonstrated. We wanted something new, something that stood out and something that no one else is doing. We were also interested in the commerciality of the work and the illustrator: as Agents we are promoting our illustrators’ work to clients on a daily basis, so they need to be professional, personable, hard working and driven.

Initially scouting alone, the judges came back together to discuss and put their favourites forward. The five creative minds really came together and gelled as a team, helping each other see things in the artists’ portfolios that we might have otherwise missed. We then set off as a team to revisit our shortlist - possibly a slightly terrifying experience for the graduates who saw us coming, mob-handed!

Just a sample of the creativity on display at the show in Week 2

It was clear when we looked again at Ella Rose Brown’s work that we had all fallen in love. Her vibrant use of colour immediately draws you in; inspired by fashion and textiles, she creates beautiful work with an emphasis on detail and a love for culture. Ella was passionate, well-presented and very determined. Her portfolio was vast and, although varied, it was consistently strong. It was clear from the judges’ excitement that we had found our winner!

Ella Rose Brown, Manchester School of Art, proudly displaying her richly deserved SAA New Talent in Illustration Associate Prize

We also had three commendation certificates to distribute, so it was back to the judges’ lounge to decide on our three runners up. Again we wanted to concentrate on originality, fresh ideas and a potential commerciality. George Goodwin from Plymouth College of Art offered a well-executed, fun and expressive style: with huge amounts of detail and bold use of colours, his work really stood out for the judges.

George Goodwin: ‘The Jungle’, excerpt from a crowd-funded illustrated picture and activity book,Don’t Shoot the Long Tailed Tiger.

Maisy Summer Lewin-Sanderson, also from Manchester School of Art, demonstrated a fresh and exciting technique; her mixed-media approach used illustration and collage in sensitive proportions. Maisy’s portfolio showed a strong use of colour, expressive characterisation and a clear narrative.

Maisy Summer Lewin-Sanderson: ‘Night and Day’, spread from a self-directed publication about the bar and music venue of the same name in Manchester’s Northern Quarter

A portfolio that kept drawing us back in, and provided interesting discussion, was Carl Tai Thompson. Carl’s illustrations depict serial killings perpetrated by a murderous alter-ego, ‘Snake Eye’s, stalking India and Pakistan. His interest in culture and colour was obvious, and his conceptual ideas - which were passionately displayed - was inspiring.

Carl Tai Thompson: ‘Yard Sale’, 7-colour screen print.

A HUGE congratulations to all the graduates who took part in this year’s New Designers, and especially to our winner and runners up: you are at the beginning of a very exciting road, one that will offer beautiful opportunities doing what you love - and hopefully excelling at it. Choose the job you love and you will never have to work a day in your life!


New Designers SAA New Talent in Illustration Associate Prize

The SAA Associate Prize is awarded to a graduate specialising in illustration who is judged to have the most fresh and inspiring work within the Visual Communications zone at the show.

The prize will be six months career development by one of the SAA’s member agents which will include mentoring, portfolio advice and promotion through the SAA’s website and social media channels.

Website: New Designers Awards


Ella Rose Brown

– Manchester School of Art


George Goodwin

– Plymouth College of Art

Maisy Summer Lewin

– Manchester School of Art

Carl Tai Thompson

– University of Portsmouth


Victoria – Illustration Web; Alice – Illustration Web; Hannah - The Bright Agency; Alex – The Artworks; Tom – Handsome Frank

January 2020
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