The Book Illustration Competition 2017

 

The Book Illustration Competition 2017 is now open!

The Book Illustration Competition is a unique partnership between House of Illustration and The Folio Society that seeks to identify and promote new talent in illustration. The competition is open to illustrators over the age of 18, both student and professional, who have not been previously published by The Folio Society.

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What Do Illustration Agents Do?

Illustration Ltd.’s Harry Lyon-Smith estimates that there are over 1000 illustration commissions each week in the United Kingdom.

With so many illustrators working on so many projects and any given time, it is clear that there is a big demand for representation out there. Illustration agents, like any agent, are the linchpin in the relationship between artists and the commissioning clients.

That might not explain what the agency does, and why freelancers need them but like any agency, there are certain tasks the agents will do to make it far easier for the freelancer excel in their career. As Caroline Thomson of Arena Illustration agency put it, “An agent is your support, quality control, sounding board and mentor.”

What do Illustration Agents do?

So, here are five practical every-day tasks that we can help you with...

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Illustration portfolio advice: 7 things agents look out for in an illustration portfolio

Illustrators and animators eventually reach a point of curiosity about agency representation. Whether you’re a seasoned pro or just starting out, applying to agencies for inclusion on their roster can be a daunting task. At Illustration Ltd, we receive an extremely high volume of requests for representation from artists all around the world, and our success stems from a careful method of selection.

Here’s 7 simple tips to help you stand out from this rather large crowd.

7 things agents look out for in an illustration portfolio

7 things agents look out for in an illustration portfolio

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Do YOU Know When The Grotlyn’s Been? Slipping Through Your House Unseen . . .

I knew I’d love The Grotlyn. It’s nostalgic — think Janet and Allan Ahlberg’s Happy Families or Burglar Bill, only with an edge, and a thrill of the macabre. Dickensian London is captured so beautifully, it’s already filmic in it’s composition.

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Mark Chambers On His Creative Career

Art Is Never the Easy Option, Don’t Let Anyone Tell You Differently . . .

Mark Chambers has been with Bright from the very beginning. Through sheer determination, hard work and an ability to adapt and develop his style over time, he has made illustration his career, and a successful one at that.

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Join the Society of Artist’s agents

but before you do, please read our criteria for joining here

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