Début Artists Illustrate Award-Winning Covers for THE RIVERSIDE Magazine

 

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James Taylor, Infomen and Yehrin Tong all contributed to THE RIVERSIDE MAGAZINE’s recent success, when it scooped up not one but three design awards:  The German Design Award, the Iconic awards, and the Red Dot Design award.

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The Adventures of Long Arm illustrated by Aleksei Bitskoff

Aleksei Bitskoff illustrates, The Adventures of Long Arm (Scholastic), a tale about schoolboy Ricky Mitre who is very naughty and gets into all sorts of trouble! After a bizarre toilet cleaning incident where his arm gets sucked into the U-bend, Ricky finds that when he takes it out again, it's many times its normal length. And so the superhero Long Arm is born!

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Written by TV presenters SAM & MARK, this laugh-out-loud adventure is brought to life perfectly by Aleksei Bitskoff's hilarious characterisation. 
 

Gary Newman – Cover for ‘Enchanted August’

Gary Newman worked with the design team at Penguin Random House to create this beautiful cover for 'Enchanted August'. Gary's chic artwork is just perfect for Brenda Bowen’s summer tale, which is based
on the 1920's classic 'Enchanted April'. We think Gary's simple graphic evokes memories of summers gone by.

Gary Newman Enchanted August

Gary Newman is represented by New Division

James Taylor creates cover for Eleven Magazine

James Taylor's spectacular photo illustration for the cover of Eleven Magazine.

James Taylor Eleven Mag Cover

 

"Welcome to Eleven, a new bi-monthly interactive digital football magazine app, showcasing 11 editorials by respected expert global football writers and authors.

 We believe that with the great exposure to the game across the world, serious football fans are looking for exclusive, thoughtful, long-form articles, but with a more personal touch. With the immediacy afforded by an instantly downloadable app and touch-screen interaction, Eleven aims to deliver informative, intelligent, passionate writing, put together in a stylish and inclusive way.

Also throw into the mix, the ambition to find and develop new talented writers, photographers and illustrators. We want to provide a sounding board for an online community through our website and social media platforms; to hear Your Voice and help others to hear it too.

The main features will be insightful, thought-provoking, full of analysis and nostalgia. At the front of the mag we will carry opinion pieces by Musa Okwonga and Jonathan Wilson. The first of four regular sections, Match will take the form of a preview looking at the world’s tastiest derby games from a historical perspective. We look at the managers and players to watch and then review the latest game.

Life is a Pitch.”

 James Taylor is represented by Debut Art

Thomas Flintham: The Spy Who Loved School Dinners wins the Blue Peter Book Awards

CONGRATULATIONS!!! We are delighted to announce that The Spy Who Loved School Dinners has WON the Blue Peter Book Awards for Best Story Book, written by Pamela Butchart and illustrated by the marvellous Thomas Flintham.

Thomas proudly picked up his award from the UK’s Children’s Laureate, Malorie Blackman in a special World Book Day edition of CBBC’s Blue Peter.

Thomas Flintham was on the shortlist last year for Marvellous Maths with Jonathan Litten, this year he is the proud owner of a Blue Peter badge to wear and a trophy to display in his studio.

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The enormously popular Blue Peter Book Awards, which are managed by Booktrust, celebrate the best authors, most creative illustrators and the greatest reads. 200 children from 10 schools across the UK read the shortlisted books and voted for their favourites. The Spy Who Loved School Dinners is the second book By Pamela Butchart in the series about Izzy following on from Baby Aliens Got My Teacher, recently shortlisted for the Red House Book Awards, and you can read more about the illustration process in Thomas’s questions on the Booktrust website.

Thomas Flintham is represented by Areana

Andrew Farley – Spy Dog

Here is Andrew Farley’s cover for the latest instalment in the brilliant Spy Dog series. ‘Spy Dog Storm Chaser’ sees Lara trying to solve the case of a strange cloud that is sitting mysteriously over  the town of Brickfield making everyone feel grumpy. At the same time sales of Ken Soop’s Chicken Soups are flying and chickens are going  missing from farms all over the country. Lara and her sidekick Professor Cortex have worked out that there is a strange connection  between these mysterious occurrences…. So an adventure involving,  chicken snot, storm conductors and a giant oven follows! Andrew was thrilled to illustrate yet another cover for this fabulous series.

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Andrew Farley’s is represented by Meiklejohn

Jordan Metcalf – Advertising Age

A particular hit which landed on desks and screens early this year was the stunning work that Jordan Metcalf created for Advertising Age’s “Top Ad Campaigns of the 21st Century” issue.

Jordan was commissioned last year to create the cover, ebook cover and two badges for online use to support the realise of the issue. The team at Advertising Age were looking for a very modern and future oriented approach to the typography, well ask and you shall receive.

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The issue contains the top 15 ad campaigns of the 21st Century along with behind the scenes stories of how the ground breaking BMW Films were created, how the guerrilla tactics of American Legacy Foundation’s Truth campaign inspired, how The Man Your Man Could Smell Like and a Subservient Chicken showed how much fun interactivity could be and why PC vs Mac made comparative advertising not only palatable, but entertaining.

 

Jordan Metcalf is represented by Handsome Frank

Reptile Brain Music

BoomArtwork produces an album cover for Swedish rock band Imperial State Electric.
Nicke Andersson; former front man of The Hellacopters approached BoomArtwork to create the art for the vinyl album of his new band. He asked for something bold and vintage to illustrate the record title 'Reptile Brain Music', so BoomArtwork set to work using his fabulous design and illustrative skills and made this punchy retro visual, he says "... First I drew the hand of Zeus with my brush and ink, and then the crocodiles eating each other's tail. In Photoshop I placed everything together and then started with the typography. Instead of using an existing typeface I thought it would make the album more special to create custom lettering. After finishing I added some filters to make it look like it was released in the 70's. It was so much fun to illustrate an LP album cover, as it is such a cool, tactile canvas to work on."

BoomArtwork is represented by Illustration

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