I knew I’d love The Grotlyn. It’s nostalgic — think Janet and Allan Ahlberg’s Happy Families or Burglar Bill, only with an edge, and a thrill of the macabre. Dickensian London is captured so beautifully, it’s already filmic in it’s composition.
Art Is Never the Easy Option, Don’t Let Anyone Tell You Differently . . .
Mark Chambers has been with Bright from the very beginning. Through sheer determination, hard work and an ability to adapt and develop his style over time, he has made illustration his career, and a successful one at that.
From the point at which an artist signs with Bright; from early development — to their first illustration project — to the moment their career blossoms, is a wonderful journey to follow.