HELLO MARINE – WELBECK
We love this striking artwork by Hello Marine for the cover of Plant Words written by Joe Richomme for Royal Botanic Gardens Kew. Marine was in her element illustrating what she loves best.
We love this striking artwork by Hello Marine for the cover of Plant Words written by Joe Richomme for Royal Botanic Gardens Kew. Marine was in her element illustrating what she loves best.
Gary Redford was delighted to create another striking, celebratory illustration for this year’s QIPCO sponsored British Champions Day at Ascot.
Jacqueline Bissett draws live at Shoreditch's Paperchase store for an event to celebrate their Agenzio collection.
Butcher Billy is invited by ATARI to create a NFT collection celebrating 50 years in the gaming industry.
Phosphor's Oxo has been working on a series of Halloween images this autumn.
If you're after an extra treat, his animation portfolio has also been updated this month.
Keep your eyes peeled in Oxo's portfolio for more new work.
Phosphor had a wonderful time at Mother in Shoreditch this month, showing work by their illustrators in folios and on laptops. "It was great to chat to creatives face to face again", said agent Trina.
If you'd like to book in an agency visit from Phosphor, get in touch via their website and be dazzled by illustrations and animations from some of the world's most talented creatives.
Live event specialist Scott, was thrilled to be invited by Tiffany & Co to draw customers in Harrods for a new product launch.
Caroline was commissioned to illustrate a journey into a mystical Space, showcasing the potential offering for a hospitality site in Seven Dials.
Claire Harrup has been commissioned by Harper Collins to illustrate ‘Jams With a Twist for the National Trust’, a recipe book all about… Jams with a twist
Chris Wormell has been commissioned by Jersey Post to design a set of six stamps and related material celebrating the brewing on Jersey and more specifically, St Anne’s Brewery. Chris has illustrated the various stages of the brewing process in his instantly recognisable style, approaching the images with the same craft and care as the brewers on jersey approach their beer!
“The challenge was to come up with six interesting images. Ingredients could look nice, a pint of beer always looks nice! But the in between bit (the inside of a modern brewery) is basically lots of pipes and tanks. Not hugely aesthetic. I worked with Rebekah Matheson at Jersey Post and together we came up with the content of each of the images, and though I wasn’t sure how successful they’d be, I think they work really well as stamps.”
The images were made using what Chris calls “a digital version of lino cutting”; scanning printed coloured layers into photoshop and cutting into them with variously modified eraser tools.
“Stamps are always great to work on!”