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Becca Hall’s debut author/illustrated book: Epic Journeys: Ocean Voyagers

Becca Hall’s debut author/illustrated book: Epic Journeys: Ocean Voyagers (Bright Group, illustrator, publishing)

Becca Hall, represented by The Bright Agency, has a debut author/illustrated nonfiction book Epic Journeys: Ocean Voyagers. This epic book is out and we at Bright sat down with Becca to ask her all about what it was like writing her first book, how the process differed from previous projects, and where her passion for underwater migration came from.

 

 

Becca Hall’s debut author/illustrated book: Epic Journeys: Ocean Voyagers (Bright Group, illustrator, publishing)

 

 

What inspired you to create this book?

I’ve always been fascinated by animals and the incredible journeys they make. As a child, I loved filling my world with stories of animals, and I wanted to create the kind of book that would have completely captivated younger me. Migration combines adventure, science and storytelling in such an amazing and accessible way. These animals aren’t just travelling, they’re overcoming enormous challenges to survive, and passing all sorts of things on the way. I wanted children to feel that sense of wonder while also learning just how extraordinary our planet really is. As I am dyslexic, I also wanted to create beautifully illustrated, accessible non-fiction books that make learning easier and more engaging for every child.

Why migration?

Migration felt like the perfect theme because it’s something that connects so many completely different species. Whether it’s a humpback whale crossing oceans, a tiny sea turtle hatchling finding its way into the sea, or sharks travelling along ancient underwater highways, every journey has a purpose.

I also loved that migration naturally creates a story. Every chapter has a beginning, obstacles along the way, and an incredible destination, making it a really engaging way for children to learn about science and the natural world.

Tell us a little about your process. Where did you begin?

The research came first! I spent weeks researching facts, going to museums, watching documentaries, and reading articles to narrow down which migrations to include. Once I’d chosen the seven featured animals, I could then work out how each journey could be told visually.

Once I had my text and facts in place, I sketched rough page layouts, thinking about how readers’ eyes would travel across the spreads and how I could make each migration feel exciting and full of movement, while avoiding big blocks of text that can be off putting or difficult to process for dyslexic readers.

How has your environment helped to shape the book?

Living in Cornwall definitely influenced the way I approached Ocean Voyagers. Being surrounded by the sea reminds me every day that there’s a whole hidden world beneath the surface, with all sorts of creatures and their stories, and it’s so important we look after it. Walking along the coast and watching seabirds, waves and changing seasons helped inspire the sense of movement and scale that runs throughout the book.

I’ve also always loved spending time around nature, whether that’s by the coast or deep in land, and I think that appreciation for wildlife naturally finds its way into my illustrations.

What was your favourite part of creating this book?

It’s hard to pick a favourite part of creating this book because there were so many!

As I’d never written a non-fiction book before, I absolutely loved researching the facts, developing the ideas and planning how I could make this book feel different from others out there. Having the freedom to build something completely from scratch was SO much fun.

I also loved discovering all the incredible facts about animals and their migration journeys. At the end of almost every day, I’d end up telling my husband, Ben, all the amazing things I’d learnt! The fact that I was so excited about the words and the research before I’d even started illustrating felt really special. I hope children have those same “wow!” moments while reading the book.

I’ve also ALWAYS been a lover of the ocean and feel incredibly lucky to live on its doorstep. So getting to illustrate huge underwater scenes and all the amazing creatures that call it home was an absolute joy. I wanted every spread to feel like an adventure that readers could dive straight into.

Can you give us any teasers about the next book?

I’m so excited about this series as a whole!!

The next book, coming out in 2027, is called Land Roamers. This time, we’re following seven more of the world’s most incredible migrations… but on land!

Without giving too much away, you’ll meet everything from vast herds crossing the African plains to millions of bright red crabs taking over an entire island. There are icy adventures, dusty landscapes, dramatic river crossings and some of the biggest animal journeys on Earth.

If you enjoyed Ocean Voyagers, I think you’re going to LOVE exploring life on land too! And if you thought the ocean held some incredible migration stories… just wait until you see what’s happening on land!

 

 

Becca Hall’s debut author/illustrated book: Epic Journeys: Ocean Voyagers (Bright Group, illustrator, publishing)

KRISTYNA LITTEN IS BACK TO SCHOOL WITH THE SLOTHS!

KRISTYNA LITTEN IS BACK TO SCHOOL WITH THE SLOTHS! (Arena Illustration, illustrator, publishing)

 

Arena Illustration's Kristyna Litten returns alongside author Kathryn Cristaldi for the newest addition to their much-loved, bestselling I'll Love You Till the Cows Come Home series.

 

KRISTYNA LITTEN IS BACK TO SCHOOL WITH THE SLOTHS! (Arena Illustration, illustrator, publishing)

 

SCHOOL IS IN SESSION... in I’ll Love You Till The Sloths Start School, published by HarperCollins. But where are the sloths? This delightfully quirky lullaby follows a class of nocturnal animals - sloths, puppies and piglets among them, through a busy day of crafts, lunch and lessons, before it's finally time for the sloths to arrive for their own school adventure. It's the perfect read-aloud to reassure little ones just how much they're loved, even while they're away at school.

 

KRISTYNA LITTEN IS BACK TO SCHOOL WITH THE SLOTHS! (Arena Illustration, illustrator, publishing)

 

 

KRISTYNA LITTEN IS BACK TO SCHOOL WITH THE SLOTHS! (Arena Illustration, illustrator, publishing)

 

Kristyna's warm, whimsical and boisterous illustrations bring gentle humour and a message of inclusivity to every spread, making this a must-have for fans of the series. Kirkus Reviews called it "outstanding in its field," and it's easy to see why.

Kristyna Litten is represented by Arena Illustration.

Florencia’s Fairy Tales

Florencia’s Fairy Tales (illustrator, Phosphor Art, publishing, Publishing Jobs)

Florencia Rigiroli, who is represented by Phosphor, has been working on a fully illustrated book inspired by classic fairy tales, reinterpreted through a contemporary and symbolic visual language.

Florencia’s Fairy Tales (illustrator, Phosphor Art, publishing, Publishing Jobs)

Romper el Hechizo, which translates to Break the Spell, explores the heroine’s journey across different stories, weaving together themes of transformation, inner strength and emotional growth. Classic fairy tales such as Cinderella and The Little Mermaid are reimagined by Graciela Caprarulo and illustrated in Florencia's signature style.

Florencia’s Fairy Tales (illustrator, Phosphor Art, publishing, Publishing Jobs)

Florencia worked with FERA Design on the books. The visual development involved a comprehensive creative process, from early concept sketches and character exploration to color palette definition and final compositions. Each scene was carefully designed to build a cohesive universe, blending narrative storytelling with rich, ornamental details and a strong botanical influence.

Florencia’s Fairy Tales (illustrator, Phosphor Art, publishing, Publishing Jobs) Florencia’s Fairy Tales (illustrator, Phosphor Art, publishing, Publishing Jobs)

Florencia's illustrations aim to evoke a timeless, magical atmosphere while maintaining a personal and expressive approach. Texture, colour and composition play a key role in guiding the reader’s emotional experience, creating immersive environments that support the narrative.
The project includes cover design, full spreads and a visual identity for the book, developed with attention to both artistic quality and editorial functionality.

Florencia’s Fairy Tales (illustrator, Phosphor Art, publishing, Publishing Jobs)

Find more of Florencia's work in her portfolio and get in touch with Trina at Phosphor about commissioning her for your next project.

HELLO MARINE – L’ÉCOLE DES LOISIRS

HELLO MARINE – L’ÉCOLE DES LOISIRS (illustrator, Meiklejohn, publishing)

 

 

Hello Marine has created brand new cover art for a trio of Judy Blume’s classic young adult titles in her native French; giving them a fresh update in her contemporary and vibrant style. Trois Amies (the French translation of Just as Long as We're Together), the sequel, Tiens Bon, Rachel! (Here's to You, Rachel Robinson!) and lastly, Pour Toujours (Forever).

HELLO MARINE – L’ÉCOLE DES LOISIRS (illustrator, Meiklejohn, publishing) HELLO MARINE – L’ÉCOLE DES LOISIRS (illustrator, Meiklejohn, publishing)

 

 

Hello Marine is represented by Meilkejohn

Lamaxim for Little, Brown

Lamaxim for Little, Brown

The Masks of Madalena de Luna is due to be published by Little, Brown in January, with a cover featuring a gorgeous portrait and mask illustrated by Lamaxim.

Lamaxim for Little, Brown

Maxime, aka Lamaxim, is based in Paris and has worked in the fashion industry for ten years. After studying art and fashion design, and working freelance in the industry, Maxime began a series of digital paintings on Instagram all centered around fashion’s absurdity - this is how Lamaxim was born. His work is mostly digital and combines figurative human representation, graphic lines and typography.

Enjoy more of Maxime's work in the Lamaxim portfolio, or contact Trina at Phosphor to commission him for your next project.

FRANCES CASTLE: WHERE THE TIDE LINES LEAD

FRANCES CASTLE: WHERE THE TIDE LINES LEAD (Arena Illustration, illustrator, publishing)

 

 

Published by Little Tiger Books, Where the Tide Lines Lead is a YA mystery by Sophie Cameron, with a striking wraparound cover by Frances Castle.

Set off the sun-drenched yet shadow-filled Spanish coast, the story follows sixteen-year-old Elio and British tourist Sam as they're pulled into an underwater world of selkie-like creatures after a string of teenagers vanish without a trace. Frances's design spans front to back, capturing the moment where the world we know gives way to something stranger beneath the waves.

It's a cover that makes you feel the pull of the story before you've read a single word - and a striking showcase of Frances Castle’s range across atmosphere-driven illustration.

Frances Castle is represented by Arena Illustration.

White Mountain – Carolina Rodriguez Fuenmayor

White Mountain – Carolina Rodriguez Fuenmayor (Illustration Ltd, illustrator, publishing)

Carolina Rodriguez Fuenmayor illustrates her second book in Ruby Jean Cottle’s Black River duology, commissioned by Simon & Schuster through Atria Books.

There’s a restless feeling running through Carolina Fuenmayor’s new cover for the final instalment of the Black River duology.

Made for Atria Books ahead of the novel’s September 2026 release, the piece leans into the tension at the centre of the story: desire tangled up with fear, loyalty shadowed by secrecy.

This is vampire fiction at its most emotional -  the cover settles naturally into the darker, romantic tone that has shaped the books from the beginning.

HARRY MILBURN – PAN MACMILLAN

HARRY MILBURN – PAN MACMILLAN (illustrator, Meiklejohn, publishing)

 

 

Harry was thrilled to be asked to create four new covers for the reissued classics written by Gerald Durrell; The Drunken Forest, The Picnic and Suchlike Pandemonium, Marrying Off Mother & Rosy Is My Relative. The illustrations showcase Harry’s ability to blend contemporary style with a sense of nostalgia, along with his sharp eye for humour and design.

 

 

 

HARRY MILBURN – PAN MACMILLAN (illustrator, Meiklejohn, publishing)

 

HARRY MILBURN – PAN MACMILLAN (illustrator, Meiklejohn, publishing)

 

Harry Milburn is represented by Meiklejohn

Angelo Rinaldi

Angelo Rinaldi (Artist Partners Ltd, illustrator, Publishing Jobs)

Hot off the press this fabulous cover which is the second book commissioned by Bonnier Books  for the  brilliant Author Kat Dunn by our very own Angelo Rinaldi …..

 

Rotten Heart - a  gothic horror novel is set in the Victorian Era in London - Angelo has beautifully captured the feel and sensual content of this amazing novel.

 

With Angelo’s uniquely  painterly eye he has managed to create and  capture this fabulously lavish and lush  cover artwork.

 

For more of Angelo’s fabulously digitally painted images please go to our website: Angelo Rinaldi | Illustrator | Artist Partners

 

Cover Design by Jenny Richards - Bonnier Books UK

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