Commissioned by the team at Harvard Business Review for a special issue on How to Collaborate Better, Julia developed a collection of concept-driven illustrations in her distinctive minimalist style. With her trademark use of scale and visual metaphor, Julia’s illustrations explore the different aspects of collaboration with clarity and wit.
Miranda created this super fun search and find illustration for The Observer’s Easter ‘Observer’s Needed’ post. Some of the things to spot include: an Easter bonnet, a toadstool, a bumble bee, and a fried egg!
Miranda said "The brief was to create a moment for everyone, young and old, to press pause and enjoy getting lost in the details. I had so much fun making this one, building a busy scene and hiding the ten elements within it."
While Adam is widely recognised for his Illustrated Histories series, his versatile style lends itself effortlessly to more corporate contexts, as seen in this striking cover for The New Athenian. His focus on people and architecture is reflected in the strong sense of detail across these samples.
Doug was commissioned to create an illustration for the cover of a Nature Index supplement about China and scientific research collaboration.
The cover feature was about scientific collaboration in China between universities/research institutions, industry, and the private sector, and between researchers in China and developing parts of the world such as Africa.
One of Artist Partners newer recruits Henry Boon has been experimenting with subjects and styles - we are delighted at what he has produced quite recently looking at historic subjects in a modern and energised way - perfect for the Educational Market and non fiction genre.
These images shown are inspired by vintage card games and characters.
Laurindo was commissioned by BBC Wildlife Magazine for an article about the necrobiome - the vast community of insects, microbes and scavengers that transforms death into new life. Rather than approaching the subject in a literal way, Laurindo wanted to create an image that felt poetic and slightly unsettling: a suspended moment where decay, beauty and renewal coexist.
Personal Finance Professional Magazine. Ben was proud to be picked for a lovely commission based on a few existing examples in his portfolio - Ben primarily works in vectors, but has a variety of approaches including isometric technical artwork to more playful contemporary work - the article is about how AI is actually being used in financial services.
Illustrating a fictional report from the future, tracing the dramatic journey of science from its turbulent present to a promising new era of innovation.
The concept behind the image was to depict a graveyard of scientific apparatus, from which vibrant, abstract shapes emerge, symbolizing the rebirth and evolution of scientific exploration unbounded by traditional funding structures/dogmatic cultures.
Nautilus is an award-winning, high-brow American science magazine that blends in-depth scientific reporting with storytelling, philosophy, culture, and art. Founded in 2013, its mission is to connect scientific topics to everyday life, exploring one specific monthly theme (e.g., time, consciousness, uncertainty) through comprehensive, long-form essays, interviews, and vivid illustrations.
This striking image by Sarah Perkins of Summertime gives a great feel for her work as a conventional artist and experienced digital and collage artist.
Sarah produces her collage work with pictures, and mark making, and eclectic textures and text, to convey her very own unique illustrative narrative.
Sarah’s work has been used in publishing on many literary covers, fiction, and classics, and also editorial work and gift books and theatre posters.
Her interests are in period /events in history, places folklore and customs.