Carles Garcia O'Dowd designs and draws a monumental illustration for Burning Man 2026, inspired by art history, Black Rock City and the festival's unique culture.
Carles' intricate black and white illustration for this year's Burning Man festival, will be displayed at an impressive 13 by 25 feet.
Drawing inspiration from Hieronymus Bosch's The Garden of Earthly Delights, the composition weaves together references to Black Rock City, kink culture, sensory play and the natural world, alongside nods to iconic works including Francisco de Goya's La Maja Desnuda. Much like Bosch's celebrated triptych, the piece rewards close inspection, with interconnected scenes and hidden details gradually revealing themselves.
Set against the creative backdrop of one of the world's most distinctive arts festivals, the work invites visitors to linger, explore and uncover something new with every viewing.
Season of Victory creates surface design illustrations for Harrods' own-brand stationery, homeware and gifting range.
For Harrods’ own-brand collection, Season of Victory developed a series of playful surface patterns under the concept Pop Rockets, which reimagines the iconic Harrods Bear as an astronaut exploring space.
First introduced in 1906, the Harrods Bear has a long history, making the commission a chance to contribute to a familiar part of the store’s visual identity.
The illustrations first appeared on a collection of children’s travel bags and an astronaut keychain, before being rolled out across a wider range of Harrods stationery, homeware and gifting products.
Season of Victory adds, "The amazing Harrods in-house team put extraordinary thought into their products – always really well designed and great quality. "
We’re delighted to share Mary Woodin’s latest gorgeous illustrations, a dream project for a keen gardener…and commissioned at the perfect time of year for Mary to be able to gather reference from her own fruit trees. Always a bonus!
The brief was to paint perfectly ripe fruit in thirst quenching fresh colours.
The aim, to convey the quality of the ingredients in the fruit drinks produced by Norwegian company Roma who have crafted their business over the past 100 years.
Laura brought the wildness of the inside to the outside in this exciting project for Dublin Zoo’s Rainforest House.
Working with Bright design agency Laura illustrated several large scale pieces as well as infographics to decorate and inform visitors. With interactive elements and displays, Laura’s distinctive style unified the various elements of the project and created a beautiful environment for the reinvention of the Rainforest House. Her work now adorns the walls of the house itself, internal elements and branded materials as well as glass decals for the animal enclosures. The house has a living rainforest inside where visitors can immerse themselves with the inhabitants!
The mural for the exterior of the building, illustrated by Laura, was brought to life on the walls themselves by mural artist @wallartbyalexandra
Armenia-based illustrator Svetlana Molodchenko creates a richly detailed illuminated alphabet for e-card company Jacquie Lawson.
Svetlana was commissioned to create an intricate hand-painted alphabet inspired by the natural world. Drawing influence from 'Mira calligraphiae monumenta' and the ornate illustrations of Joris Hoefnagel, Svetlana developed each letter as its own balanced composition, pairing flora and fauna with beauty and detail.
Amaryllis, artichoke and Adonis blue butterflies appear in 'A', while camellias, chestnuts and common blue butterflies form part of 'C'.
Created entirely by hand using traditional materials and illumination techniques, the project took several months to complete, resulting in a collection that feels timeless and jewel-like.
Lucy was commissioned to produce a set of beautiful bird illustrations for the ‘Flock’ card range with Stormy Knight Cards. Complete with gold foiled edging and details, they are a stunning set!
Lucy said: “I’m big into birds so this was a lovely commission for me. Herring gulls and swallows to start with, more to come!
British nature and wildlife illustrator Andrew Hutchinson gives the Yorkshire Tea packaging a refresh.
Back in 2011, Andrew Hutchinson painted an idyllic rural Yorkshire scene which has adorned the Yorkshire Tea box ever since. With a refresh of the brand taking place across 2025 and 2026, branding agency Turner Duckworth commissioned Andrew to refine the popular image by adding and altering some of its elements to fine tune the packaging for two product variants. We asked Andrew about the variety of tiny paintings he created for the refresh and the creative decisions made along the way.
How did this project come about?
I produced the existing Yorkshire Tea box illustration back in 2011 when the company decided they wanted to redesign their box without losing the very strong overall Yorkshire Tea look. Turner Duckworth approached me via my agency, IllustrationX, in 2024 regarding the refresh.
What was the brief?
The brief for this job was to refresh the existing design without spoiling an already popular image. Because of this, any alterations had to be made very subtly. The idea was to give each of the variations of Yorkshire Tea – Decaf, Hard Water and the Original – its own unique identity. A selection of small additions, themed around the branding colour of each tea variation – red for Original, blue for Decaf and green for Hard Water – would be painted, which could be sensitively inserted into the design. For Decaf, blue bells, a blue rucksack and flask and a blue tit were chosen; for the Hard Water, green ivy and a green tractor tie in with the colour theme. Variations were made in the foreground of each box by replacing the lamb with a different one on the Decaf and with rabbits for the Hard Water. Only a couple of tiny alterations were made to the Original box – a cricket ball and a robin. Customers do study these images very closely and I think part of the idea was to give them some new elements to look for.
What was it like to receive this brief?
I was very proud to be asked to work on this design again. Working with Yorkshire Tea has certainly been a career highlight.
What media and tools did you use?
I only use a brush and paint – no computers! The paints I use are acrylic and I paint on a hot press watercolour board. Once completed, my wife Louise scanned the artwork and sent it directly to the designers as digital files.
How was the content of the images decided upon?
The landscape of the box has remained the same as the original and was based on a variety of areas of Yorkshire selected to create a single non-specific Yorkshire landscape. For this job, the designers gave a very clear brief of the alterations they wanted to make and had a list of suggested elements to incorporate but were equally open to any suggestions or comments that I had, particularly about the wildlife elements. One of the elements they were particularly keen to incorporate was a tractor in each image, reflecting the relevant brand colour. Another aspect that the designers were keen to change was the cricket pitch. So, while the original box has a village cricket match in progress, the Hard Water design has dog walkers and hikers crossing the pitch and on the Decaf box there is a tractor mower doing some pitch maintenance.
The tone is relaxing, like having a cup of tea. How did you conjure this feeling?
The lighting and colour had to remain consistent from the original box and across the three designs, so any additions obviously had to tie in with this. I hope the warmth of the colours and intimacy of the design creates this comfortable feel.
Tell us about the little stoat?
The stoat was not particular to these designs but has appeared on all my Yorkshire Tea boxes – my signature if you like. I always try to include some animals in the artwork and stoats love dry-stone walls. It was a bit of a last-minute addition on the original design and could have been painted out but, as it was, the designers loved it and it stayed. All the artwork I produced for the additions was done on white for the designers to incorporate into the images digitally.
What were the main challenges?
All the additions made to the box, for consistency, had to be painted at the same size as the original artwork; one quarter up. This meant that some of the elements were tiny with the tractors being no bigger than my thumbnail. And, although I am a miniature painter, something like an ivy leaf, a bluebell and even some of the figures were so small I could not have done them without using a large magnifying lens.
What were your favourite elements to paint?
I particularly enjoyed working on the ivy that drapes over the wall of the Hard Water box and was particularly pleased that it sat so well in the picture.
What was the collaborative process like?
All the designers I have worked with over the years on Yorkshire projects have been a pleasure to work with; supportive and open-minded. And once the roughs had been approved were always great at leaving me just to get on with my painting.
And do you enjoy a cuppa while working?
Of course, I drink Yorkshire Tea and always have a brew when I am working. Tea-time usually starts at 10:30 when everything stops for Ken Bruce’s Popmaster quiz.
What’s your verdict on the outcome?
I was delighted with this job and it’s always a special thrill when you see your artwork on the supermarket shelves.
Take a look at this Fabulous Fashion collaboration between Bea Müller and Jaspal featuring Bea's signature illustrations across a range of fashion garments and accessories. Featuring Bea’s signature style, the collection is available for purchase now.
How Andrew Hutchinson refreshed the Yorkshire Tea box art – the proper way
With its brand refresh by Turner Duckworth, Yorkshire Tea wanted to fine tune its packaging illustration and colour code it across the product range. Nature illustrator Andrew Hutchinson was the ideal artist for the job.
Words by Garrick Webster
Yorkshire Tea is a brand that stands out in the market for its quality, and for its packaging. Whereas other options often come in flat coloured boxes – red, or gold, for instance – the Yorkshire Tea box is a work of art – literally. You can put the kettle on and pore over a finely painted scene in the Dales, with details as subtle as the spots of lichen on the dry-stone wall.
This beautiful imagery was painted by the leading British wildlife illustrator Andrew Hutchinson back in 2011. With its tag line ‘Let’s have a proper brew’, Yorkshire Tea is a brand that prides itself on doing things properly, so when the time came to refresh the product’s packaging, branding agency Turner Duckworth turned to Andrew once again. He’s a Yorkshireman himself, but more importantly the agency knew they could rely on Andrew for his attention to detail.
“The brief for this job was to refresh the existing design without spoiling an already popular image. Because of this, any alterations had to be made very subtly. The idea was to give each of the variations of Yorkshire Tea – Decaf, Hard Water and the Original – its own unique identity,” says Andrew.
To achieve this, Andrew was commissioned to paint small additions and alterations to the original artwork based on the box colour for each product in the range. The Original box has a red surround, while Decaf is blue and the Hard Water box is colour coded green. Freshly painted elements using these highlight colours would be digitally inserted into the scene to create three separate variants of the same original artwork.
“For Decaf, blue bells, a blue rucksack and flask and a blue tit were chosen, whereas for the Hard Water, green ivy and a green tractor tie in with the colour theme. And variations were made in the foreground of each box by replacing the lamb with a different one on the Decaf and with rabbits on the Hard Water,” says Andrew.
He continues: “Only a couple of tiny alterations were made to the Original box – a cricket ball and a robin. Customers do study these images very closely and I think part of the idea was to give them some new elements to look for.”
Andrew paints traditionally using acrylic on a hot press watercolour board, which seems to suite the ‘proper’ theme perfectly. The artwork was then scanned by his wife, Louise, before being sent on to the designers at the agency as digital files.
The original landscape is an idealised, non-specific setting in Yorkshire, which Andrew imagined based on his knowledge of the countryside in the county. For the refresh, Turner Duckworth suggested a list of elements to incorporate into each of the three variant boxes, but were open to Andrew’s suggestions, particularly on the wildlife.
Reflecting life in the Dales
“One of the elements they were keen to incorporate was a tractor in each image, reflecting the relevant brand colour,” he says. “Another aspect that the designers were keen to change was the cricket pitch. So, while the original box has a village cricket match in progress, the Hard Water design has dog walkers and hikers crossing the pitch and on the Decaf box there is a tractor mower doing some pitch maintenance.”
Consistency was key. Firstly, the tone of the original artwork had to be maintained across the new additions, so the lighting and colour had to be perfect. “I hope the warmth of the colours and intimacy of the design creates this comfortable feel,” says Andrew.
Secondly, everything had to be painted at the same size as the original artwork, one quarter up. For example, Andrew couldn’t paint the tractors at A4 or A3 size then reduce them down – the brush strokes needed to match those across the entire scene. This meant the vehicles were painted no larger than a thumbnail.
“Although I am a miniature painter, something like an ivy leaf, a bluebell and even some of the figures were so small I could not have done them without using a large magnifying lens,” says Andrew. “I particularly enjoyed working on the ivy that drapes over the wall of the Hard Water box and was particularly pleased that it sat so well in the picture.”
As with the original brief all those years ago, the collaborative process was supportive and open-minded, and once Andrew’s roughs had been approved, the designers at Turner Duckworth trusted him to get on with the painting.
Naturally, Andrew himself enjoys a cuppa while he paints. “I drink Yorkshire Tea and always have a brew when I am working. Tea-time usually starts at 10:30 when everything stops for Ken Bruce’s Popmaster quiz,” he says. “I was delighted with this job and it’s always a special thrill when you see your artwork on the supermarket shelves.”
There’s an Easter Egg in the artwork for nature lovers as well. Look carefully and you’ll be able to spot a tiny little stoat in one of the panels – Andrew’s signature and a personal touch that the designers loved. The new box art will be rolled out during 2026.
Svetlana Molodchenko has been recognized with a Communication Arts Illustration 2026 Award of Excellence for her Williams Sonoma commission, Dream Store Pattern.
For this project, she created a fully vector, continuous pattern capturing multi-level rooms, staircases, and shelves filled with the brand’s real catalogue products, layering detail to evoke the charm of a whimsical, immersive store.
The artwork now adorns packaging, kitchenware, and tabletop items, translating her meticulous compositions into everyday experiences.
The award highlights Svetlana’s inventive approach, celebrating how her illustrative precision brings narrative to a commercial canvas.
British nature and wildlife illustrator Andrew Hutchinson gives the Yorkshire Tea packaging a refresh.
