Jess Rose Bird Masterclass for the V&A Dundee

In alignment with their latest exhibition, "The Art of the Fashion Show", Jess hosted an experimental fashion illustration workshop.

In alignment with their latest exhibition, "The Art of the Fashion Show", Jess hosted an experimental fashion illustration workshop.

Carolina Rodriguez Fuenmayor illustrates her second book in Ruby Jean Cottle’s Black River duology, commissioned by Simon & Schuster through Atria Books.
There’s a restless feeling running through Carolina Fuenmayor’s new cover for the final instalment of the Black River duology.
Made for Atria Books ahead of the novel’s September 2026 release, the piece leans into the tension at the centre of the story: desire tangled up with fear, loyalty shadowed by secrecy.
This is vampire fiction at its most emotional - the cover settles naturally into the darker, romantic tone that has shaped the books from the beginning.

Bright’s Kushiaania was commissioned by Historic Royal Palaces to create a mural for the Kensington Palace exhibition ‘Last Princesses of Punjab’. Celebrating Sophia Duleep Singh and the women who shaped her, the exhibition opened on the 26 March 2026.

To see more from Kushiaania, click here: https://thebrightagency.com/uk/design-and-advertising/artists/kushiaania

Svetlana Molodchenko crafts a spring-to-summer visual narrative across cover and edges for FairyLoot.
Svetlana was commissioned by FairyLoot to produce a dust jacket and digital edge illustrations for The Swan’s Daughter, bringing a sense of quiet enchantment to the exclusive edition.

Her approach centres on the fragile shift from spring to summer, where soft florals and light-drenched tones echo the novel’s themes of power, survival, and love. Subtle references to the text are woven throughout, giving the artwork a layered, almost heirloom quality.

Extending the imagery across the book’s edges, Svetlana turns the object itself into a continuous scene, inviting the reader to step into a suspended fairytale moment.

Sarah Tanat-Jones illustrated the cover and inside feature for The New Review, Poems for Mother’s Day for The Observer.

From Homer to Sylvia Plath, poets have been moved by parenthood and in this feature Poet laureate Simon Armitage introduces a selection of beautiful poems chosen especially to celebrate the special day.

Creating contemporary and timeless illustrations to accompany the selection, Sarah’s images are striking in their simplicity, showcasing her expressive line work and fluid forms, brought to life with a fresh colour palette, perfectly capturing the spirit of the poems whilst adding her own distinctive voice.

The Artist Series SS26 celebrates storytelling and representation. Each piece reflects the experience's passion and wisdom of Anjelica.

BIG illustrations for the big Apple pop-up.
Featuring hand-drawn British landmarks and Wildflower meadows.

Victoria’s commission for The Green Witchery Tarot combines 78 tarot cards with a 64-page illustrated guidebook, rooted in medieval symbolism and age-old witchcraft insights.

She drew each image by hand - acrylic, ink, pen, and coloured paper, paring detail to distill archetypes like the Lovers, Death, Hermit, and Magician into striking, mysterious forms.
The deck and book are designed to complement contemporary green witchery practices, connecting natural magic with visual clarity.

More info here.

Darling Clementine worked on a range of special promo packs for Quaker Oats, helping to fuel Team GB for this year’s Winter Olympics!
There were a multitude of different pack fronts, showcasing the different sports competing at the games. The packs were part of a promotional give away with the chance to win prizes including tickets to see the athletes in action in Milano Cortina!



Louise loves drawing live, capturing the narrative of an event or the individuality of guests in the moment.