Alexis Bruchon/House and Garden Magazine
Alexis Bruchon has become a big name in the world of style, and fashionable architecture and the world of interiors etc.
Alexis Bruchon has become a big name in the world of style, and fashionable architecture and the world of interiors etc.
Carole Verbyst was delighted to be commissioned by the brilliant Mr B & Friends to work on issue 3 of Connected Places Magazine. The magazine features Carole's classic vector montages though-out the the document. Carole worked closely with the designers and client directly to hone the imagery content for each specific section.
Helen Friel was commissioned to create the cover for Royal British Legion’s magazine to mark the 80th anniversary of D-Day. The image is a physical build made of several layers that feature the planes, tanks and ships that featured in the historic event.
More of Helen’s work can be view here - https://www.debutart.com/artist/helen-friel
Blending perfectly with Politico’s leading subject, Guillermo’s work adorns the cover of the current Politico magazine. His dynamic style, filled with his unique language of lines, shapes and colours, encourages a deeper dive into the discourse.
You can see more of Guillermo’s work here:
https://thebrightagency.com/uk/design-and-advertising/artists/guillermo-flores
Zara Picken created a brilliant cover and opening spread illustrations in her clean paper-cut style for lowa Stater, highlighting how the university alumni are producing world-changing work.
Anna Broadhurst was thrilled to be commissioned by The Observer, bringing their recent feature Generation Anxiety to life with her colourful and textural illustrations.
Ifan was commissioned by E&T magazine to do their latest cover artwork , the title feature, an increasingly common question, 'Is disinformation distorting democracy?'
Diarmuid was tasked with crafting five character studies along with a central composit of them all for the main feature in the March Issue of Frontline magazine.
Phosphor's Satoshi Kambayashi is back in his regular slot, illustrating for PLC Magazine. This time the brief was to create something colourful for a piece about the impact of challenging market conditions on mergers and acquisitions activity.
Satoshi brought his unique line and watercolour style to the UK many years ago, and since then he has developed a digital style with a similar effect, plus a more graphic flat colour version, seen in play here. The underlying theme is always Satoshi's great ability to solve a creative problem by providing brilliant quirky solutions with a sense of humour, which is why so many magazines rely on him to interpret and conceptualise their ideas.
Find more of Satoshi's work in his portfolio, or contact Trina at Phosphor to commission Satoshi to bring some humour to your next project.
Phosphor's Iris de Luz was approached by MIZZOU Magazine, the alumni magazine of the University of Missouri, to illustrate their Spring 2024 cover.
The brief was right up Iris' street: a 'playful and surreal park fantasy world' featuring bright colours, flowers, rolling hills, trees, lots of pattern and the famous St. Louis arch.
Iris' illustration will entice MIZZOU subscribers to read the cover story which features a group of four University of Missouri alumni who are leaders of various parks and greenspace organisations in the city of St. Louis.
Many different photographic elements and some 3D vector shapes make up each piece of Iris' dazzling artwork, including this cover. She spends hours looking at photographs to find the right textures for the job at hand, and says, "I think of them as if they were part of a digital ecosystem where each element, when joined with others, builds a new character".
Take a peek at Iris' portfolio to find more of her digital collages and contact Trina at Phosphor to commission Iris for your next project.