Commissioned by the team at Harvard Business Review for a special issue on How to Collaborate Better, Julia developed a collection of concept-driven illustrations in her distinctive minimalist style. With her trademark use of scale and visual metaphor, Julia’s illustrations explore the different aspects of collaboration with clarity and wit.
Miranda created this super fun search and find illustration for The Observer’s Easter ‘Observer’s Needed’ post. Some of the things to spot include: an Easter bonnet, a toadstool, a bumble bee, and a fried egg!
Miranda said "The brief was to create a moment for everyone, young and old, to press pause and enjoy getting lost in the details. I had so much fun making this one, building a busy scene and hiding the ten elements within it."
While Adam is widely recognised for his Illustrated Histories series, his versatile style lends itself effortlessly to more corporate contexts, as seen in this striking cover for The New Athenian. His focus on people and architecture is reflected in the strong sense of detail across these samples.
Sarah Tanat-Jones illustrated the cover and inside feature for The New Review, Poems for Mother’s Day for The Observer.
From Homer to Sylvia Plath, poets have been moved by parenthood and in this feature Poet laureate Simon Armitage introduces a selection of beautiful poems chosen especially to celebrate the special day.
Creating contemporary and timeless illustrations to accompany the selection, Sarah’s images are striking in their simplicity, showcasing her expressive line work and fluid forms, brought to life with a fresh colour palette, perfectly capturing the spirit of the poems whilst adding her own distinctive voice.
Laurindo was commissioned by BBC Wildlife Magazine for an article about the necrobiome - the vast community of insects, microbes and scavengers that transforms death into new life. Rather than approaching the subject in a literal way, Laurindo wanted to create an image that felt poetic and slightly unsettling: a suspended moment where decay, beauty and renewal coexist.
Personal Finance Professional Magazine. Ben was proud to be picked for a lovely commission based on a few existing examples in his portfolio - Ben primarily works in vectors, but has a variety of approaches including isometric technical artwork to more playful contemporary work - the article is about how AI is actually being used in financial services.
Illustrating a fictional report from the future, tracing the dramatic journey of science from its turbulent present to a promising new era of innovation.
The concept behind the image was to depict a graveyard of scientific apparatus, from which vibrant, abstract shapes emerge, symbolizing the rebirth and evolution of scientific exploration unbounded by traditional funding structures/dogmatic cultures.
Nautilus is an award-winning, high-brow American science magazine that blends in-depth scientific reporting with storytelling, philosophy, culture, and art. Founded in 2013, its mission is to connect scientific topics to everyday life, exploring one specific monthly theme (e.g., time, consciousness, uncertainty) through comprehensive, long-form essays, interviews, and vivid illustrations.
From Bright's Design & Advertising Division, Luca Grassi's (@lucagrassi_illustration) collaboration with Elle Decorationaccompanies an article by Esther Walker.
Luca is an award-winning illustrator from beautiful Urbino, now living and working in Torino. Luca’s rich artwork style utilises contrast and colour to create emotive characters and narrative scenes.
Mark jumped at the occasion to work with Easy Jet again on their in flight magazine. The article being 12 Adventure Honeymoons. The brief was to adorn the pages with activities honeymooners can get up to in various locations served by Easy Jet, from snorkelling to island hopping in Croatia.