The SAA are very pleased to be supporting the World Illustration Awards by sponsoring The SAA Agents Award for New Talent.
publishing 
Lisa Sheehan was asked by The Royal Shakespeare Company to create the lead identity image for its production of Roald Dahl’s The Big Friendly Giant.
The Royal Shakespeare Company’s production is the first ever stage production of The Big Friendly Giant. Lisa’s identity image is being used extensively in a variety of media.
More of Lisa’s work can be viewed here https://www.debutart.com/artist/lisa-sheehan
Sam Hubbard is a fineline illustrator living in a small seaside town in West Sussex. With a long background in brand design he has recently shifted his focus onto illustration, mainly specialising in detailed hand-drawn inkwork for luxury and heritage brands.
He has recently become an artist ambassador for renowned art supplier Daler-Rowney, and has exhibited his work for two years running at Henley Regatta and Goodwood Revival (Cloud Gallery Fine Art), amongst others.
When not at the drawing board, he can be found swimming in the sea, running around the Sussex countryside or spending time with his wife, two daughters and the family cat, Pearl.
Clients include; Daler-Rowney, Cuckoo Gin, David Swann (author) Kingfisher coffee, Brindiwell Wine amd more.
Dotty has created a cast of visually iconic characters from evil aunts to rebellious protagonists in a brand-new middle-grade adventure series published by Chicken House.
In celebration of 100 years of the iconic Shipping Forecast, Mark Frudd created this wonderfully blustery illustration for Radio Times.
We love the colour palette of this stylish cover illustration by Hello Marine for Homesick written by Silvia Saunders.
Camila Gray weaves wintry magic into the cover of this festive novel.
Camila's enchanting cover for The Secret Christmas Bookshop captures the cosy magic of a wintry seaside village.
Commissioned by HarperCollins, her illustration sets the perfect scene for this festive tale of romance and mystery, where snow-dusted rooftops and twinkling lights frame a story about unexpected connections.
The soft hues and delicate details draw readers into Sophie and Harry’s world, where a mysterious book sparks a journey that blurs the lines between fiction and reality. It’s a cover that feels as warm and inviting as the story within.
Carole's slick vector style is usually associated with corporate work such as brochures and branding, but more recently she has lent her style to children's publishing and was selected to be on the team of illustrators work on this fantastic title published last November by Usborne Publishing.
Carole Verbyst is represented by NB Illustration
|
Peter Strain was commissioned by Rosie Steward Design to create the cover of Hester Steel’s debut novel ‘The Faceless Thing We Adore’. The book is available to pre order now from Page Street Horror Books.
More of Peter’s work can be view here https://debutart.com/artist/peter-strain
We’re excited to extend a warm welcome to Hannah Jayne Lewin, the latest illustrator to join our team.
Uncommon creative studios in New York commissioned Phosphor's Jonathan Leach to work on 29 black and white pen illustrations and a cover for a book containing traditional fairy stories updated for a mature audience.