Gary Redford for The Pembrokeshire Coast National Park
Gary Redford has once again worked with Hatched London to produce a stunning illustration for The Pembrokeshire Coast National Park.
Gary Redford has once again worked with Hatched London to produce a stunning illustration for The Pembrokeshire Coast National Park.
Phosphor Art’s Garth Glazier illustrated the cover for September’s issue of The Lady.
Woman’s Weekly commissioned Carrie May to illustrate their latest serial. Carrie created five stunning illustrations for this story of one woman’s journey from St Lucia to Liverpool and the challenges she faces.
Chris Ede produces a punchy cover illustration for Stadia Magazine.
Joel Millerchip is an illustrator that translates briefs into visual stories of curly-haired characters, fantastic beasts, and distorted scenes. He draws influence from talking to real people, his own warped memories, and mythology. Joel is also a founding member of illustrators collective Brothers Of The Stripe.
Ana Seixas illustrated this vibrant map for House & Garden Magazine. Ana was asked to illustrate an article on cruising the Mediterranean for the lifestyle magazine’s travel section.
James Taylor, Infomen and Yehrin Tong all contributed to THE RIVERSIDE MAGAZINE’s recent success, when it scooped up not one but three design awards: The German Design Award, the Iconic awards, and the Red Dot Design award.
We were delighted to once again be asked to contribute to Shelter‘s newspaper ‘here’ this month, with Tom Haugomat supplying the front cover art.
Birmingham illustrator, Joshua Billingham creates twisted characters that pay homage to the New York subway art of the early 80s.
He intensifies his creations by layering unusual combinations of textures and drawing influence from the cartoons of his childhood .
Josh, aka Gent 48, also likes to people-watch. He often makes caricatures of the folk he meets on his travels. After all, real life can be pretty warped too.
Bio
Since 2003 Guy Mckinley has been consistently producing character heavy, offbeat, colourful illustrations. A Japanese influence is clearly visible in a lot of his work and so pattern, colour and detailing run strongly throughout. McKinley’s work is infused with his love of old comic and storybook art from his youth.