The SAA are very pleased to be supporting the World Illustration Awards by sponsoring The SAA Agents Award for New Talent.
digital 
Seasonal illustrations by Daniel Long for Wall Street Journal’s Fall books review. The books featured include David Nasaw’s The Wounded Generation, Adam Johnson’s The Wayfinder and John Banville’s Venetian Vespers.
Daniel Long is represented by The Artworks
Claire was commissioned by communication agency Burson Global to create a bespoke map of Bath for Spotify, designed to guide guests on a special day trip celebrating the 250th anniversary of Jane Austen’s birth.
Travelling aboard the vintage British Pullman Belmond train from London to Bath, visitors were welcomed with Claire’s intricate Regency-inspired design, highlighting key landmarks tied to Austen’s life and works.
The artwork balances historical elegance with functional clarity, offering a charming visual companion that immerses travellers in the author’s world.
Based in England, Irish illustrator Donough, has completed his 14th beer label for Canadian craft brewery Avant-Garde.
The new design, Voyager léger, celebrates the spirit of adventure with a light American lager crafted for outdoorsy, adventurous drinkers.
Donough’s artwork brings a playful yet sophisticated touch that complements the brewery’s existing range, visually capturing the brand’s adventurous ethos while appealing to a discerning craft beer audience across Canada.
Big welcome to Clayton Junior to the NB Team. Originally from Brazil and based in Berlin, Clayton Junior has worked as an illustrator for clients around the world for over two decades.
He has also published children books and comics in the UK, USA, Italy, France and Brazil. Currently, he divides his time between illustration commissions, painting and installations, and the development of comic book projects.
Hearty congratulations to Lisa and the Art Direction team at Which? regarding this award winning cover illustration.
Mark Boardman has been busy working on a dream project; creating a suite of illustrations for Network Rail's Western region, showcasing their trains, infrastructure and the beautiful views along the railway line.
Eoin Coveney, renowned for his bold graphic novel style, was commissioned by design agency The Allotment to collaborate on a striking campaign for international law firm Addleshaw Goddard.
The brief was to create a graphic novel–inspired montage illustration as part of their “Data Heroes” campaign, which spotlighted the fight against data crime. Eoin’s dynamic line work and cinematic storytelling brought the concept to life, giving the campaign a distinctive and memorable visual identity.
You can also explore a selection of his other illustrations here in a similar style and on the web link below.
London Power Tunnels is a major infrastructure project led by National Grid to rewire the capital and ensure a reliable electricity supply for the future. By building deep underground tunnels across London, the project replaces ageing cables, modernises the network, and strengthens the city’s energy resilience. This long-term investment helps keep the lights on for millions of homes and businesses while reducing disruption at street level.
Ben created vector artworks for a series of on-site safety posters, helping to engage construction teams and communicate vital safety messages clearly and effectively throughout the project.
We are pleased to announce that Début Art is now representing Mona Eing and Michael Meissner. They are a team based in central Germany.
Phosphor's Lee Ford recently completed a job for Grace Comms, an award-winning healthcare brand communication agency. Lee illustrated a scene featuring a doctor trying to decide which path to go on, symbolising how doctors must choose which treatment to give a patient. The artwork was used at a conference, online and on flyers.
Lee’s unique approach to graphic image making has a strong connection to traditional print based methods and has evolved through many years of experimentation. These traditionally printed elements are combined with digital and analogue graphic processes that include found ephemera, drawing and photography all described using a playful, visceral visual language that explores both concept and aesthetic in equal measure.
Lee describes his passion for graphic processes and obsession with surface texture as "playful, expressive and emotive". This approach has gained Lee commissions for print and web clients both nationally and internationally; as well as exhibitions in London, New York, Stockholm and Singapore and images published by AVA publishing, Bloomsbury, Laurence King, and Gestalten.