Garry Parsons – Puffin
Joyful wordplay, delightfully bright and hilarious illustrations by Garry Parsons and the most magical, musical unicorns feature in The Who's Whonicorn of Sing-along Unicorns written by Kes Grey.
Joyful wordplay, delightfully bright and hilarious illustrations by Garry Parsons and the most magical, musical unicorns feature in The Who's Whonicorn of Sing-along Unicorns written by Kes Grey.
The award for BEST IN SHOW goes to this fabulous new compendium of all things canine.
The UK cover of The Mystery Guest by Nita Prose is released, with art by Gail Armstrong.
Phosphor are pleased to be able to share the artwork Bill Sanderson created for The Dictionary People: The unsung heroes of Oxford English Dictionary, a new book by Sarah Ogilvie which was published this September by Chatto & Windus.
Claire Harrup has been commissioned to illustrate Britain’s Landmarks and Legends by Harper Collins for National Trust Books.
Supervet Noel Fitzpatrick's first non-fiction book for younger readers is full of amazing illustrations of bionic cats and dogs to hero hedgehogs and courageous chameleons!
Hannah Gold’s unmissable follow-up to the bestselling and award-winning The Last Bear is published this month by Harper Collins.
We are so excited as one of our recent picture books is being published this week = and its hot off the press -
Lucy Davey has illustrated 3 walking guide covers for the islands of Scotland for Pocket Mountains written by Peter Edwards. Taking inspiration from the landscapes of Brian Cook, she said, ‘I've worked with Robbie Porteous from Pocket Mountains on a few projects now. The Uist cover is my favourite - I always enjoy depicting water in my illustrations and I particularly like the colour combinations in this one.’
Lucy Davey is represented by The Artworks
Katie Ponder has illustrated the fourth book in Dorling Kindersley's Mythology series, with the latest instalment focusing on Goddesses and Heroines from myths around the world.
Inspired by Folkart, embroidery and quilting, Katie used photoshop to create all the illustrations, moving elements round like a paper theatre set until something aesthetically ‘clicked’.