The SAA are very pleased to be supporting the World Illustration Awards by sponsoring The SAA Agents Award for New Talent.

TALKING WITH MARIA KARIPIDOU, ILLUSTRATOR OF ANGRY COOKIE

TALKING WITH MARIA KARIPIDOU, ILLUSTRATOR OF ANGRY COOKIE (Bright Group, illustrator)

Maria Karipidou’s characters are so full of life that it’s no surprise that she brought quirk, charm, and attitude to spare to… a cookie! Maria teamed up with one-of-a-kind writer and performance poet Laura Dockrill to create Angry Cookie. She brought Laura’s hilarious and heartwarming story to life with her vibrant illustrations and unique character design.

We had a chat with Maria about Angry Cookie, her early artistic aspirations, and what inspires her illustrations. She was kind enough to give us a peek behind the scenes!


Growing up, did you always want to be an artist or creative of some sort?

Yes, indeed. My Mom used to tell me a story about me lying on the floor surrounded by plenty of colored pencils and paper, totally lost in my own worlds that I had created, when I was only two years old.

I continued to draw and fell in love with cartoon characters! When I was eight years old, a friend of my parents, who was working as a comic artist, gave me some advice in character design, and when I was eleven I applied at Disney for a position as an animator! So I really had a serious intention to make a living out of drawing ever since I can remember.

Your style really makes an impact on me – is there any particular artist that inspired or influenced your work?

I like ’50s and ’60s cartoons a lot, and artists like Alice and Martin Provenson who did great illustrations for children’s books, as well as some of Disney’s animators such as Mary Blair. I also take inspiration from classic artists, like Miro for example.

TALKING WITH MARIA KARIPIDOU, ILLUSTRATOR OF ANGRY COOKIE (Bright Group, illustrator)

 

TALKING WITH MARIA KARIPIDOU, ILLUSTRATOR OF ANGRY COOKIE (Bright Group, illustrator)

 

Maria’s illustration, nominated for the World Illustration Award in 2017.

Do you ever get illustrator’s block – where you just cannot think of what to draw (like writers sometimes get) and if so, how do you overcome it?

I can remember having experienced that at the beginning of my work as a freelance illustrator. It is a mix of pressure and being helpless - you want to do a great job and at the same time you block yourself with too high expectations regarding the results. So I learned a very important lesson: to trust myself and that getting good results is a process, that is different each time- and that there is no ‘recipe’ you can use when you have a problem to solve. It’s like jumping into cold water every time! Best thing you can do, is to accept it and make peace with it!

TALKING WITH MARIA KARIPIDOU, ILLUSTRATOR OF ANGRY COOKIE (Bright Group, illustrator)

An illustration from Storytime Magazine.

Yes, this was the sweetest and quirkiest character I have ever put on paper! And it really wasn’t me who came up with that, it was Angry Cookie himself! AC - how we all call him now - did this all on his own - he jumped out of my sketch book! Suddenly he was there! When I read Laura’s lines, which was like a trip into a cookie’s inner life, this little thing was speaking to me! You can try it out on your own - it really happens: AC is real! Throughout working on the book, he kept making comments on my drawings and jumped around my pencil - until he was happy!

TALKING WITH MARIA KARIPIDOU, ILLUSTRATOR OF ANGRY COOKIE (Bright Group, illustrator)

An illustration from Angry Cookie.

I can see that you take part in lots of events and workshops. I feel that this is a really important part of being a picture book maker – it’s a great way of letting people know about you, plus you are sharing your talent with your readers and fans. Can you tell me a bit about the workshops you’ve done?

Going into workshops with kids is amazing! They come up with ideas that are incredible! You could never ever imagine things like that as a grown-up! It’s a lot of fun - for the kids and me! First we create some characters, then draw them on card board - huge in size - cut them out and bring them to life as paper- or jumping-jack-puppets. The kids take them home or decorate their classrooms with them.

TALKING WITH MARIA KARIPIDOU, ILLUSTRATOR OF ANGRY COOKIE (Bright Group, illustrator)

Illustration from Pizza Pig.

Lastly, do you have any exciting projects planned for the future?

This year, I created a visual concept with artwork for the 100 Year Anniversary of the Central Library in Amsterdam (OBA) that is taking place in 2019, and I’m excited to see the artwork spread all over the city. I have planned several workshops for kids, that will involve lots of traveling.

I really enjoyed working with Walker Books on the most exciting book I ever could imagine, and I’ve just learned we may be collaborating on a new book together, so I am thrilled! I will be working on a book with a donkey, written by my father (who loves donkeys since he was a kid!). This book for the little ones will be published by NILPFERD, a lovely and one of Austria’s best children’s book publisher with whom I did some great children’s books for older kids in the last years. Also another very special personal Project is on the way: I’m working on a multi media Project, about a little girl with very special friends … and also plan some animated projects, with a motion designer who is a friend of mine (she animated the trailer for Angry Cookie!) - So, all of this will be very personal projects to me, and I can’t wait to share them with you!


To see Maria’s portfolio, click here.

To work with Maria, contact Arabella Stein.

How to make the perfect children’s book

How to make the perfect children’s book (Bright Group, illustrator)
Artwork credit: Maddie Frost


How to make the perfect children’s book (Bright Group, illustrator)


Check out Robyn’s rundown of the key ingredients for illustration success in this field:

Consider your audience and your buyer

As well as being perfect for the target market in both style and substance, the look and feel of the book must be appealing to the adult that is most likely to be purchasing the book. Think about the tastes and current trends that are likely to grab the attention of book buyers.

Accept constructive criticism from those in the know

The editorial and design team will have bags of experience and be directly in touch with sales people so have faith that their feedback will always be based on really valid market information. Even if changes can seem random at times, trust that the outcome will only improve sales of your book. For example, covers that are green sell less well than red covers! It’s a thing - I promise!

Be aware of global tastes with regard to facial features

It is worth having a selection of different eyes and noses up your sleeve (so to speak), and in your portfolio. Features can often be a sticking point as some looks work better in some markets than others. Design teams will often ask for options so it is worth being flexible.

How to make the perfect children’s book (Bright Group, illustrator)

Artwork credit (left to right): Top row: Dan Widdowson; Hannah Peck; bottom row: Benji Davies; Nan Lawson.

Diversity

Be mindful that your book might be sold across the globe and should appeal to all children and their families, whomever they are and wherever they are in the world.

How to make the perfect children’s book (Bright Group, illustrator)

Artwork credit (left to right): Top: Rosie Butcher; Aura Lewis; Alea Marley; Sophie Beer.

Characters

For younger children, it’s great to be obvious, but for older audiences, don’t over-egg it! When we are surprised, we don’t always throw our hands up to our faces, or gasp when we are shocked, for example, so think about more natural reactions and gestures when creating character poses. Use friends as models to get expressions and limb positions just right.

Humour

Wherever there are characters, a children’s publisher is looking for a little bit of humour, so don’t be afraid to add extra detail or funny elements. Humour appeals to all children (while subtle comedy can lend a book all-important appeal for adults, too), and can really help make your artwork stand out from the crowd. It doesn’t have to include reference to bodily functions, although – to paraphrase the great Ade Edmondson of Bottom fame – a fart is always funny…

How to make the perfect children’s book (Bright Group, illustrator)

Ben Mantle, from Giant Jelly Paws and the Pirates, written by Helen Baugh and published by HarperCollins, 2015.

Novelties

This is the terminology for any extra elements on books that add play value, so that’s anything from flaps and sliders to pull-tabs and pop-ups! Good design teams should always provide clear die-lines and briefing notes if these elements are part of the book you are working on, but it is worth becoming familiar with how these work. Spend an hour in a local bookshop in the board book section to familiarise yourself with moving parts, or buy a few novelty books from charity shops and take them apart!

How to make the perfect children’s book (Bright Group, illustrator)

Demonstrating just a handful of different activity elements that might be used to enhance 'play value' in a novelty publication (featuring interiors from the Bizzy Bear series, illustrated by Benji Davies and published by Nosy Crow).

Always ask the question

Don’t feel silly for asking your assigned designer lots of questions: they will be happy to answer anything and will be super-relieved that you asked instead of getting confused by something.

Make the best out of briefs

In my experience, a designer will always prefer to brief you in the way that best suits you. From the outset, do say if there is a particular way you like to work – or, if you are mid-project and struggling with the way it is being briefed, don’t feel afraid to ask for an alternative approach.

And finally…

…Ask your agent

We are here for you: to support, advise, and help to develop your work – and to be your champion. If you need any assistance, would like some insider advice, or simply want us to ask a publisher something on your behalf, just let us know: that’s what we’re here for!

Read more about Robyn on her Agent profile page at The Bright Agency website

New books for autumn from Bright’s artists & authors

New books for autumn from Bright’s artists & authors (Bright Group, illustrator, Publishing Jobs)

The end of summer is in sight, and a new season means NEW BOOKS! The latest titles publishing this autumn from our brilliant Bright artists showcases the breadth of gorgeous styles across the portfolio — from bold and quirky art full of humour, to beautifully enchanting festive tales.

Among the exciting new titles soon to be adorning bookshelves, is the latest picture book from ‘Supertato’ creators Sue Hendra and Paul Linnet; the much-anticipated sequel to David Litchfield’s highly acclaimed ‘The Bear and the Piano’; and once more we return to the captivating world of ‘The Storm Whale’ to join Noi on his latest adventure. Enjoy!


SEPTEMBER

New books for autumn from Bright’s artists & authors (Bright Group, illustrator, Publishing Jobs)

‘Look’ By Fiona Woodcock / Greenwillow Books

‘As We Grow: The Journey of Life…’ Illustrated by Richard Jones / Caterpillar Books

‘The Space Train’ Illustrated by Karl James Mountford / Little Tiger Press

‘Angry Cookie’ Illustrated by Maria Karipidou / Walker Books

New books for autumn from Bright’s artists & authors (Bright Group, illustrator, Publishing Jobs)

‘It All Began When I Said Yes’ Illustrated by Annabel Tempest / Simon & Schuster

‘Santa Claus Vs The Easter Bunny’ By Fred Blunt / Andersen Press

‘Who’s Afraid of the Big Bad Bogey?’ Illustrated by Tom Knight / Scholastic

‘Cinderella’ Illustrated by Jessica Courtney-Tickle / Orchard Books

New books for autumn from Bright’s artists & authors (Bright Group, illustrator, Publishing Jobs)

‘The Rabbit, The Dark and the Biscuit Tin’ By Nicola O’Byrne / Nosy Crow

‘The Bear, The Piano, The Dog and the Fiddle’ By David Litchfield / Lincoln Children’s Books

‘Lightning Girl 2: Superhero Squad’ Illustrated by James Lancett / Scholastic

‘You Can Tell A Fairy Tale: Little Red Riding Hood’ By Migy Blanco / Templar

‘Mrs. Claus Takes the Reins’ Illustrated by Mark Chambers / Two Lions


OCTOBER

New books for autumn from Bright’s artists & authors (Bright Group, illustrator, Publishing Jobs)

‘When I Was A Child’ Illustrated by David Litchfield / Hodder Children’s Books

‘The Story Orchestra: The Sleeping Beauty’ Illustrated by Jessica Courtney-Tickle / Lincoln Children’s Books

‘Christmas Gremlins’ / Illustrated by Chris Chatterton / Egmont

‘Brave and the Fox’ Illustrated by Sebastien Braun / Scholastic

New books for autumn from Bright’s artists & authors (Bright Group, illustrator, Publishing Jobs)

‘We’re Going on an Elf Chase’ Illustrated by Laura Hughes / Bloomsbury Children’s Books

‘Snowball’ By Sue Hendra and Paul Linnet / Macmillan Children’s Books

‘My Friend Sleep’ Illustrated by Hannah Peck / Words & Pictures

‘Grandma Bird’ By Benji Davies / Simon & Schuster


NOVEMBER & DECEMBER

New books for autumn from Bright’s artists & authors (Bright Group, illustrator, Publishing Jobs)

‘All Right Already!: A Snowy Story’ Illustrated by Benji Davies / Harper Collins

‘Frockodile’ Illustrated by Stephanie Laberis / Hodder Children’s Books


To work with Bright’s artists and authors please get in touch.

Introducing: Gabriella Buckingham

Introducing: Gabriella Buckingham (Bright Group, illustrator)

Vibrant, playful and expressive, Gabriella Buckingham’s sumptuous paintings positively glow with warmth and life, and almost seem a direct reflection of the artist herself.

One of Bright’s most exciting and recent signings, she brings a huge wealth of creative experience - from both independent-artist and industry-insider perspectives - as well as an infectious enthusiasm and colourful exuberance to the portfolio.

We caught up with Gabriella from her Norfolk home to learn more about her inspirations, varied career - and complete love for her craft!

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Introducing: Allie Runnion

Introducing: Allie Runnion (Bright Group, illustrator)

Inspired by vintage illustration, and with a degree in Illustration and English from the highly-esteemed Rhode Island School of Design, Allie Runnion’s bright, bold designs and strong sense of colour and texture lend her work an immediate appeal, combining the warmth of a subtle nostalgia with an undeniably trend-savvy energy.

Allie dropped into our New York office earlier in the summer, and chatted with agent Hannah Curtis (in the States for a raft of industry trade shows and client meetings) about her creative motivations and ambitions.


Where do you find inspiration for your work?

I find a lot of inspiration in old things, especially mid-century illustration and design. I’ve always been a collector and love to shop in antique and thrift stores. I curate an instagram account, @vintageillustrated, where I scan and post images that I find as inspiration for both myself and other artists. I also live in the beautiful state of Maine and find so much inspiration in the natural beauty around me.

Introducing: Allie Runnion (Bright Group, illustrator)

What are some of your favorite things to illustrate?

Patterns! Florals are probably my favourite. I love flipping through old field guides and gardening books as reference, and discovering new flowers and plants to draw in my backyard. I also enjoy draw animals and am working on incorporating more figures into my work.

Introducing: Allie Runnion (Bright Group, illustrator)

Left to right: Allie shares a glimpse inside her tranquil design studio; leafing through vintage books and guides on botanical subjects, ink pen in hand
Introducing: Allie Runnion (Bright Group, illustrator)
As a designer and illustrator specialising in surface pattern design, Allie has a fantastic array of repeat designs in her portfolio, but also creates beautifully observed, sensitively rendered standalone artworks with a spare use of line and distinctively nuanced palette.

Has your style developed at all since you began illustrating?

Yes! As an Illustration major at RISD, I struggled to find my style, bouncing between graphic work and more painterly styles. After graduating, I began my career as a graphic designer and narrowed in on more graphic work. As I have returned to doing more illustration work in the last few years, I now feel much more at home with my style. I love merging traditional drawing and painting with digital techniques that I have learned through years of experience in graphic design.

Introducing: Allie Runnion (Bright Group, illustrator)

Allie's portfolio also includes examples of her hand-rendered typography and figurative work - a truly versatile artist!

Do you have a dream project you’d like to work on?

I’d love to work on a bedding or home collection, or do packaging work for a fun brand!


To view Allie’s entire portfolio, click here. You can also enquire with her agent, Hannah Curtis, about licensing specific pieces or to discuss commissioning bespoke artwork.

Behind the Book: Monty & Sylvester by Carly Gledhill

Behind the Book: Monty & Sylvester by Carly Gledhill (Bright Group, illustrator)


Carly Gledhill’s artwork style is immediately recognisable for her quirky characters and playful layouts, full of humour and heart. This spring her debut author-illustrated picture book ‘Monty & Sylvester A Tale of Everyday Super Heroes’ published with Orchard Books.

We spoke to Carly on creating her first picture book, and delve deeper into what inspired this imaginative, witty tale, and the loveable duo behind the story, best friends — and unlikely heroes — Monty and Sylvester.

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