Mary Woodin illustrates “Witchcraft for the Home”.

Mary Woodin has worked with publisher Callisto media illustrating Witchcraft For The Home, a guide on how to practice spells, rituals and remedies for achieving a cleansed, protected, balanced and magical home. Illustrating ingredients from remedies and spells in a light, warm and welcoming colour palette, Mary’s images are an inviting glimpse into the practical world of witchcraft that avoids clichés, you won’t see a wand, pointy hat or cauldron in sight!

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Hannah Riordan illustrates ‘Red Sauce, Brown Sauce; A British Breakfast Odyssey’

Hannah Riordan has created the cover illustration and end papers for ‘Red Sauce, Brown Sauce; A British Breakfast Odyssey’, the latest travel memoir from Felicity Cloake published by Mudlark. The cover captures the titular sauces in all their glory and incorporates key landscapes from throughout the book.

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‘All aboard’! Check out Lucy Rose’s style frames for Capitol One!

Beginning with lots of discussion with the client after receiving the brief, Lucy had to work within the brand guidelines and delivering an overview of how things have changed in paying while travelling over the years, from the 1940’s through to 80’s and to the current day. Preparing images for animation however provided a new set of challenges that Lucy was more than up for tackling;

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Hannah Bailey illustrates Planted, a game of nature and nurture.

Who better to ask then Hannah Bailey to illustrate ‘a game of nature and nurture’; PLANTED is a houseplant based board game by well-known game designer, Phil Walker-Harding (designer of Sushi Go amongst others) and produced by Buffalo Games. Hannah has created the artwork for the whole game – the box, the player boards, the cards and even the counters and resource tokens.

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Check out Lizzie King’s joyous window displays for The Yards, Covent Garden.

If you’ve wondered through Covent Garden recently you may have been greeted by the joyous artworks of Lizzie King, in gargantuan ten metre high window displays for shopping, dining and wellness destination, The Yards.

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A closer look at Folio Society’s “A Walk In The Woods” illustrated by James Weston Lewis

James Weston Lewis was asked to illustrate the new Folio Society edition of A Walk in the Woods by Bill Bryson. The end result is a beautiful distillation of the atmosphere within the words, executed in James’s unique limited palettes.

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A new look for the The Artworks; our amazing new website is now live!

Welcome to our fresh new website, highlighting our roster of the finest illustrators and the incredible projects they’ve worked on.

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Mary Woodin illustrates Exploring Birds for Callisto Media.

Mary Woodin has illustrated an activity book for children, Exploring Birds for Callisto Media. With art direction from Scott Petrower, Mary illustrated birds for over 50 activities aimed at getting kids out into nature and learning;

“I gleaned a lot along the way too and enjoyed illustrating everything from how to make a bird feeder out of a recycled bottle and wooden spoons, to the anatomy of an owls’s eye.”

Mary Woodin is represented by The Artworks

Laurindo Feliciano’s collages are brought to life for ARTE TV.

Laurindo Feliciano has had his collages brought to life for European TV channel ARTE, celebrating 60 years of Algerian independence in the web series “Générations Guerres d’Algérie”. You can view the first 3 episodes now on arte.tv, with the fourth one coming soon.

Director & screen writer: Olivier Lambert @olivlamb

Production: @artefr

Executive producers: @lumento_films& @goodseedprod

Animation: Felix Pommier @phelixphruitier

VFX: @baptisteblanpain

Music written & performed by @stephane_bissieres & @raphaelsibertinblanc

Published by Rotary RM

Laurindo Feliciano is represented by The Artworks

Claire Harrup creates beautiful illustrations for watchmakers an0rdiain.

Claire Harrup has worked with anOrdain, a Scottish artisanal watch company based in the east end of Glasgow, creating illustrations for the 2nd issue of their in-house publication ‘Letters from Assynt’.

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