BECKY THORNS | SIMON & SCHUSTER

Drawing inspiration from the Jamaican setting, Becky Thorns has created a delightfully intriguing cover illustration and typography for Honeysuckle & Bone written by Trisha Tobias.

Drawing inspiration from the Jamaican setting, Becky Thorns has created a delightfully intriguing cover illustration and typography for Honeysuckle & Bone written by Trisha Tobias.
From watching your favourite film to staying connected with your loved ones, data centres keep our digital world running. Anna Broadhurst was commissioned to create a fantastic animation in her colourful and whimsical style for Telehouse to explain it all.

To view the full animation click here.
Anna Broadhurst is represented by Meiklejohn
We’re back with another phenomenal cover art from our very own Angelo Rinaldi. This time for the book HUNGER STONE by Kat Dunn. The hardback is releasing on February 6th wherever you get your books! This fabulous cover with vibrant pink lettering really stands off the shelves. A rich and intoxicating visual image.
Author: @katalicedunn
Designer: Jenny Richards
Publisher: @bonnierbooks_uk
Find more of Angelo’s work on our website. Angelo Rinaldi | Illustrator | Artist Partners

We’re celebrating the end of London Fashion Week 2025 and we are taking a look at just some of @lisaillustrations beautiful outfits shoes and models!


Find more of Lisa’s work on the Artist Partners website Lisa McGuinness - Artist Partners / Designer of shoes and fabulous lively illustration

Chrissy Lau's vibrant design, "Lucky 8 Snakes on a Train," transforms Sydney’s light rail into a moving celebration of the Year of the Wood Snake 2025.
Commissioned by the City of Sydney, Chrissy's artwork blesses passengers with prosperity, perseverance, and good fortune, weaving together auspicious symbols and colours.

The snakes, adorned with plum blossoms, orchids, and chrysanthemum, represent longevity and prosperity, while the peony flowers symbolise wealth. Gold coins, ingots, and lunar lanterns with lucky longevity knots complete the composition, set against a backdrop of clouds.

With its bold use of red and yellow - the lucky colours of the Wood Snake, this design brings joy and blessings to the bustling city streets.
WATCH a video of the train.

'Who Flew The Coop?' is a chicken-themed card game created for Quarto, and set for release at the end of this month.

The project involved crafting a series of humorous, mugshot-style portraits for 24 different chicken breeds, each with its own distinct personality. Research into the breeds and collaboration with the client helped shape the characters, ensuring their traits were visually compelling and integral to the gameplay.

Beyond the game cards, Paperface’s illustrations also appear in an accompanying booklet, offering a deeper look into each chicken’s personality and its ‘flight-risk’ rating!
Pre-order here.

Phosphor's Lynn Hatzius recently created a series of collages for an A Level textbook, published by Liber for use at Swedish high schools.

Phosphor's Bill Sanderson recently worked on a label for Old Glasgow whisky, a brand which celebrates the history and heritage of distilling in and around Glasgow.
The label, created by Bill in his signature scratchboard style, re-interprets the Glasgow Coat of Arms. The original coat of arms features a fish, a tree, a bell and a bird - all symbols related to legends about Saint Mungo, the patron saint of Glasgow. Bill's artwork features these same symbols, along with some iconic Glasgow architecture. Barley (to represent whisky) and thistles (to represent Scotland) have been added around the slogan 'Let Glasgow Flourish'.

Bill Sanderson works almost exclusively with scratchboard, with which he produces both black and white and full colour artwork. He has done drawings for many newspapers, journals, book publishers, designers and advertising agencies, including Royal Mail, Puffin. and Radio Times.
Find more of his work at phosphorart.com or contact Trina to enquire about commissioning Bill.

Alex Williamson created the key art and promotional animation for RTÉ’s new podcast Where Is Jón? The artwork is being used in poster and social media campaign across Ireland this winter and spring.

More of Alex’s work can be viewed here https://www.debutart.com/artist/alex-williamson

Lisa Sheehan was asked by The Royal Shakespeare Company to create the lead identity image for its production of Roald Dahl’s The Big Friendly Giant.
The Royal Shakespeare Company’s production is the first ever stage production of The Big Friendly Giant. Lisa’s identity image is being used extensively in a variety of media.
More of Lisa’s work can be viewed here https://www.debutart.com/artist/lisa-sheehan