The SAA are very pleased to be supporting the World Illustration Awards by sponsoring The SAA Agents Award for New Talent.
book 
Seasonal illustrations by Daniel Long for Wall Street Journal’s Fall books review. The books featured include David Nasaw’s The Wounded Generation, Adam Johnson’s The Wayfinder and John Banville’s Venetian Vespers.
Daniel Long is represented by The Artworks
The final part in the ‘Book of Dust’ trilogy by Philip Pullman, illustrated by Chris Wormell. Iconic illustrations for an iconic series. Chris worked with designer Tom Sanderson, Jacqui McDonough and the team at Penguin Random House and David Fickling books on this exciting and prestigious project.
Iconic hand crafted illustrations by our Chris Wormell in The Folio Society's exquisite gift edition of ‘H is for Hawk’ by Helen Macdonald.
Natalie Smillie brings bite-sized magical charm to life in Harry Potter - Pocket Potters, Bloomsbury Children’s Books’ new mini-series packed with wizarding delight.
Tùng Lâm is a Vietnamese illustrator and book cover designer based in Hanoi.
Commissioned by Hachette, Daniel Long has worked on his fourth cover, ‘A Deadly Night at the Theatre’, as part of this murder mystery series for Katy Watson.
A clever and powerful lino cut illustration for the cover of The Fabian Society magazine, illustrated by Eleanor Rose.
Final Destination written by Nige Tassell sees the author riding Britain’s railways to its lesser-known corners and seldom-visited outposts and features this striking and vibrant cover illustration by Gary Redford.
Gary’s portfolio:
https://www.meiklejohn.co.uk/artist/Gary_Redford_MJN/Gary_Redford_Portfolio_MJN
Dystopian and post-apocalyptic scenes are one of Gavin Reece’s specialisms, as showcased here perfectly in his cover illustration created for Those Who Survive written by K. N. Milde.
Beautiful cover by Eleanor Rose for the 50th anniversary edition of the first book ever published by Virago Press. We adore the colours and textures of this Lino illustration. Eleanor is able to capture a real sense of place, atmosphere and feeling.
‘Full of dignity, courage and humour, and as fresh and insightful as the day it was written, FENWOMEN is a vital portrait of rural women’s lives – not only as they were lived in the 1970s in one Cambridgeshire village, but in the generations before it, all over the country, and reaching forward into today’s world, too’ Melissa Harrison