Cheers everyone! Chris Wormell’s inviting illustrations for Greene King.
Chris Wormell has created a series of illustrations in his distinctive linocut style for pub chain Greene King, encouraging us all to get back in to the pubs.
Chris Wormell has created a series of illustrations in his distinctive linocut style for pub chain Greene King, encouraging us all to get back in to the pubs.
Carole Verbyst created this stunning composition for The Climate Group's Net Zero Futures initiative, the brief was to create a composite that encompassed and summed up all the potential areas a zero carbon future may entail.
BIG NEWS 🎉 - It’s our absolute pleasure to announce another new signing to the HF roster. Simone Noronha is an illustrator whose work we’ve admired for a long time. Using saturated palettes and moody lighting Simone creates beautiful images that have a story to tell. We’re delighted to have her on team Frank. Who wants to commission her first?
Kristyna takes a joyous leap away from the norm with this fresh and vibrant new take on Halloween.
Cristina Guitian was commissioned for a recent campaign for McDonalds Happy Meal®; combing fun, illustrative headlines and illustrations with photography in her unique style.
Chris Chatterton has created an adorable series of illustrations for dog-treat brand Chewsday to bring their packaging to life.
Darling Clementine have illustrated an amazing range of M & S’s Christmas snow globe Gin & Rum Liqueur’s, with each bottle containing a small light that beautifully illuminates Darling Clementine’s illustrations as gold and silver flakes swirl in the behind them.
Phosphor's Beatrice Simpkiss is honoured to be a part of Sue Ryder's Grief Kind campaign.
New project by Tobias Hall for Budweiser. Deuce Studio came to us with a request to help them refine a type lockup they were working on for Budweiser’s Labor Day celebrations.
A decade old but still feels fresh. James Taylor created all art and type for The Go! Team’s 2011 album ‘Rolling Blackouts'. The album has been reissued as picture disc, worth it for the cover alone. The A0 size collage (the album cover features only a fraction of it) involved James cutting and sticking over 200 images.
More of James’s work can be found at https://www.debutart.com/artist/james-taylor