Bright’s Chris Chatterton for Chewsday packaging
Chris Chatterton has created an adorable series of illustrations for dog-treat brand Chewsday to bring their packaging to life.
Chris Chatterton has created an adorable series of illustrations for dog-treat brand Chewsday to bring their packaging to life.
Darling Clementine have illustrated an amazing range of M & S’s Christmas snow globe Gin & Rum Liqueur’s, with each bottle containing a small light that beautifully illuminates Darling Clementine’s illustrations as gold and silver flakes swirl in the behind them.
Phosphor's Beatrice Simpkiss is honoured to be a part of Sue Ryder's Grief Kind campaign.
New project by Tobias Hall for Budweiser. Deuce Studio came to us with a request to help them refine a type lockup they were working on for Budweiser’s Labor Day celebrations.
A decade old but still feels fresh. James Taylor created all art and type for The Go! Team’s 2011 album ‘Rolling Blackouts'. The album has been reissued as picture disc, worth it for the cover alone. The A0 size collage (the album cover features only a fraction of it) involved James cutting and sticking over 200 images.
More of James’s work can be found at https://www.debutart.com/artist/james-taylor
Lisa was asked to create a CG illustration of a stack of every issue of The Big Issue reaching into space and a further image for the feature spread.
More of Lisa’s work can be found at https://www.debutart.com/artist/lisa-sheehan

Frances Castle is not only an illustrator, she’s a musician, graphic storyteller and boasts Jarvis Cocker as one of her biggest fans.
Lucy Rose has created an updated identity for Heron Valley; a Devon – based cider and juice producer, who also happen to be local to Lucy! The updated identity takes their majestic Heron icon and gives it a more artisanal, botanical feel.
The client and Lucy worked together to come up with a composition that could be complimented by Art Deco/ botanical borders, “this was a relatively fast process as I think the client and I had the same ideas in mind.” Opting for a vintage colour palette (a perfect match for Lucy), the final design soars with subtle sophistication but remains grounded with earthy warm tones.
“This project has been so great to work on and I enjoyed every bit of it. For a while I have wanted to work on some more packaging- based briefs and so when this job came up, I was thrilled to get another opportunity to. I think also the company being local to me and so friendly has just made the whole process even more special.”