The SAA are very pleased to be supporting the World Illustration Awards by sponsoring The SAA Agents Award for New Talent.
digital 
Fran Labuschagne was commissioned by Wellesley College for their 150th-anniversary feature Claiming a Place at the Table. Fran beautifully translated themes of leadership and resilience into 3 striking illustrations in her signature style.
To see more from Fran, click here: https://thebrightagency.com/uk/design-and-advertising/artists/fran-labuschagne
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Illustrating a fictional report from the future, tracing the dramatic journey of science from its turbulent present to a promising new era of innovation.
The concept behind the image was to depict a graveyard of scientific apparatus, from which vibrant, abstract shapes emerge, symbolizing the rebirth and evolution of scientific exploration unbounded by traditional funding structures/dogmatic cultures.
Nautilus is an award-winning, high-brow American science magazine that blends in-depth scientific reporting with storytelling, philosophy, culture, and art. Founded in 2013, its mission is to connect scientific topics to everyday life, exploring one specific monthly theme (e.g., time, consciousness, uncertainty) through comprehensive, long-form essays, interviews, and vivid illustrations.
More of Sam’s work can be viewed at https://www.debutart.com/artist/sam-chivers?tags=all
Jhon Boy recently created the identity and campaign for EstarB, a psychological and emotional support service for young people aged 12 to 25 launched by the Barcelona City Council.
Design studio Clase said that Jhon Boy's illustrations "capture everyday emotional moments through a simple, warm and inclusive visual language. The scenes focus on dialogue, care and connection, translating complex emotional states into approachable images that resonate with a young audience".
"The campaign extends this visual and verbal dialogue into public space across the streets of Barcelona, where the illustrations become the main vehicle to communicate the service."
Jhon Boy is the alias of Jorge Gallardo, a visual artist from Tenerife, Canary Islands. He tries to understand reality through his work, while creating a dialogue between image and viewer.
The style of his works is minimalist and clean and the most important part of Jhon Boy's process is the concept he can transmit with each scene.
Jhon Boy says: “I have always been fascinated with images, the impact they make in our lives is absolutely punishing. I prefer to create some kind scenes and exchange a dialogue between the image and the viewer, reducing everything to human values. On the other hand, my work can be understood in a lot of different ways, I prefer to let people think or see whatever they want to.”
Check out another of Jhon Boy's recent projects, creating gifs of analog crafts for It's Nice That.
Find more of Jhon Boy's illustrations in his portfolio and get in touch with Trina at Phosphor to discuss commissioning Jhon Boy for your next project.
Phosphor's Lee Ford has been experimenting with progressing his style and treating figures in a more graphic way.
Lee’s unique approach to graphic image making has a strong connection to traditional print based methods and has evolved through many years of experimentation. These traditionally printed elements are combined with digital and analogue graphic processes that include found ephemera, drawing and photography all described using a playful, visceral visual language that explores both concept and aesthetic in equal measure.
Lee describes his passion for graphic processes and obsession with surface texture as playful, expressive and emotive.
Phosphor's Pepe Serra is a visual communicator and illustrator based in Tarragona, Catalonia.
Pepe has a deep interest in how images can shape understanding and spark emotion. "My work focuses on turning complex, abstract, or nuanced ideas into clear, striking visuals that engage the viewer both intellectually and emotionally," says Pepe, who specialises in "fast-paced digital illustration, combining clarity, boldness and a strong conceptual core".
While Pepe does have a distinct and identifiable style, often featuring long-limbed characters and a rich colour palette, the graphic communicator says he has "always been very clear that the common thread in my work isn't technique or style, but rather the concept and the idea I want to convey". Pepe says: "Illustration is simply a tool that allows us to communicate, just as we do with words".
"Over time, the technique has changed as a result of the tools I use, since professional illustration today cannot be understood without going through technological tools," Pepe told Diari de Tarronga.
Pepe regularly contributes to major international newspapers, collaborating closely with editors and art directors to meet tight deadlines without compromising depth or originality. Pepe says: "I approach every commission not just as a visual task, but as a chance to translate thought into form, helping audiences see things from a new perspective".
Alongside commissioned work, Pepe gives talks and workshops on creativity, conceptual thinking and visual communication. "I believe that illustration is not just a craft but a language — one that evolves constantly and offers endless potential for experimentation, critical reflection, and storytelling," says Pepe.
Find more of Pepe's work in his portfolio at phosphorart.com or contact Trina to discuss commissioning Pepe.
We are pleased to announce that we are now representing artist Lee Binding.
Lee Binding is a visual artist and creative re-toucher who treats key art like high drama and Photoshop like a controlled substance. Best known for turning cult television into cinematic spectacle, he creates art that feels epic and luminous. He moves effortlessly across retouching, digital illustration, packaging and key art - joyfully applying his craft wherever bold visuals are required.
Clients include BBC, BBC Studios, Sky, Random House, EOne Entertainment, 2|Entertain, Whatisbobo, Cubicle 7, Panini, SFX Magazine and Empire Magazine.
More of Lee’s work can be viewed at https://www.debutart.com/artist/lee-binding?tags=illustration
Anna Broadhurst was thrilled to collaborate with the design team at Hotel Chocolat, helping to bring their brand new concept store in Manchester to life with her joyful and eye-catching illustrations. Welcoming visitors to step into an imagined scene that celebrates Hotel Chocolat’s pioneering approach to ethical cacao farming, Anna also created a large-scale mural illustrating the story behind the brand.
“I fear I have fallen for a certain internet monkey” - @bugboyriley
Oh Riley, I fear the whole Bright team has too!
Riley is an illustrator who grew up in Cleveland, Ohio. He attended Kent State University and received a Bachelor of Fine Arts in Visual Communications and Design. He has since traveled across the country from coast to coast working for various studios as an Illustrator in both the children’s book and greeting card industries. Riley’s work is fueled by his friends and family he has found in the LGBTQIA+ community, as well as his wide array of other passions including the wildlife around him, and good food. In his free time, you’ll probably find Riley tending to his indoor jungle or cooking up something in the kitchen.
To see Riley’s viral post: https://www.instagram.com/p/DU_amZioMRx/?img_index=1
You can view Riley’s portfolio on the Bright Website. Click here: https://thebrightagency.com/uk/licensing/artists/riley-samels
James Weston Lewis produced 5 different and dynamic covers for the Radio Times Winter Olympics Guides. We love seeing how James brought these daring and fast paced sports to life through his illustration style. He perfectly captured the beautiful scenery, the athletes and the essence of each sport in the 5 individual covers.
