Anna Broadhurst – The Observer
Anna Broadhurst was thrilled to be commissioned by The Observer, bringing their recent feature Generation Anxiety to life with her colourful and textural illustrations.
Anna Broadhurst was thrilled to be commissioned by The Observer, bringing their recent feature Generation Anxiety to life with her colourful and textural illustrations.
Ifan was commissioned by E&T magazine to do their latest cover artwork , the title feature, an increasingly common question, 'Is disinformation distorting democracy?'
Diarmuid was tasked with crafting five character studies along with a central composit of them all for the main feature in the March Issue of Frontline magazine.
Phosphor's Satoshi Kambayashi is back in his regular slot, illustrating for PLC Magazine. This time the brief was to create something colourful for a piece about the impact of challenging market conditions on mergers and acquisitions activity.
Satoshi brought his unique line and watercolour style to the UK many years ago, and since then he has developed a digital style with a similar effect, plus a more graphic flat colour version, seen in play here. The underlying theme is always Satoshi's great ability to solve a creative problem by providing brilliant quirky solutions with a sense of humour, which is why so many magazines rely on him to interpret and conceptualise their ideas.
Find more of Satoshi's work in his portfolio, or contact Trina at Phosphor to commission Satoshi to bring some humour to your next project.
Phosphor's Iris de Luz was approached by MIZZOU Magazine, the alumni magazine of the University of Missouri, to illustrate their Spring 2024 cover.
The brief was right up Iris' street: a 'playful and surreal park fantasy world' featuring bright colours, flowers, rolling hills, trees, lots of pattern and the famous St. Louis arch.
Iris' illustration will entice MIZZOU subscribers to read the cover story which features a group of four University of Missouri alumni who are leaders of various parks and greenspace organisations in the city of St. Louis.
Many different photographic elements and some 3D vector shapes make up each piece of Iris' dazzling artwork, including this cover. She spends hours looking at photographs to find the right textures for the job at hand, and says, "I think of them as if they were part of a digital ecosystem where each element, when joined with others, builds a new character".
Take a peek at Iris' portfolio to find more of her digital collages and contact Trina at Phosphor to commission Iris for your next project.
We have recently been appointed by Liam. Liam is based in New York. His work utilizes bold outlines and graphic colors to communicate narrative and conceptual ideas.
A bold visual for a complex subject! Julia Allum created an eye-catching illustration of exploding atoms and molecules for The Observer Science & Tech feature about skeletal editing.
Julia Allum is represented by Meiklejohn
Adam is a regular contributor to Monocle Magazine was launched in 2007 briefing on global affairs, business, culture, design and much more.
The first three images shown are for Monocle Magazine , the forth for Courier Magazine and the last two for activity sheets for the Hyde Park Picture House.
Observer Food Monthly Magazine features an impressive cover by Season of Victory.
The latest edition of the magazine is a Summer-themed issue, highlighting 'The 67 Best Places to Eat in the Sunshine'.
Season of Victory designed the cover and editorial illustrations, along with coordinating animated Giphy stickers for social media. The artwork captures the essence of the season, featuring a deck chair, a pint and cocktail, a picturesque British beach, charming beach huts, delectable burgers and hotdogs, classic fish & chips, refreshing seafood, summer fruits, lively seagulls, and an iconic ice cream van.