Eat Your (Arabella) Greens
Phosphor's Arabella Green specialises in food and drink illustration and has recently added this Halloween inspired image to her portfolio.
Phosphor Artists Celebrate Autumn
To celebrate the start of the cosy season, Phosphor would like to share some beautiful autumnal artwork by some of their celebrated artists:
Jennie Maizels welcomes you into the season...
Bill Sanderson uses his signature scratchboard technique for this red squirrel...
Florencia Rigiroli shares her take on the red squirrel...
Hannah Lewis encourages you to embrace the crispy leaves...
Jonathan Leach reminds you to wrap up warm while you do so...
Lamaxime gets moody with Dior...
Lee Ford invites you for a chilly dip in the lake...
Chris Stonehill takes you on a trip from London to Norway...
If you'd like to discuss commissioning any of these artists this autumn, contact Trina at Phosphor.
Phosphor Welcome Rod Vass
Phosphor are excited to welcome Rod Vass to their roster of talented artists.
It's actually a 'welcome back' for Rod, as he was represented by the agency decades ago when they were known as Ian Fleming Associates. Rod left to work in the film industry, where he spent many successful years creating sets, props, sculptures and designing armour for iconic films such as Gladiator and A Knight's Tale. He's now back at Phosphor, working on exciting new artwork.
Here's a little sneak peek at what's to come...
More images and a bio will be added to Rod's Phosphor portfolio soon. In the meantime, contact Trina if you'd like to discuss working with Rod Vass.
EOIN COVENEY – ADDLESHAW GODDARD – DATA HEROES
Eoin Coveney, renowned for his bold graphic novel style, was commissioned by design agency The Allotment to collaborate on a striking campaign for international law firm Addleshaw Goddard.
The brief was to create a graphic novel–inspired montage illustration as part of their “Data Heroes” campaign, which spotlighted the fight against data crime. Eoin’s dynamic line work and cinematic storytelling brought the concept to life, giving the campaign a distinctive and memorable visual identity.
You can also explore a selection of his other illustrations here in a similar style and on the web link below.
Lee Ford for Grace Comms
Phosphor's Lee Ford recently completed a job for Grace Comms, an award-winning healthcare brand communication agency. Lee illustrated a scene featuring a doctor trying to decide which path to go on, symbolising how doctors must choose which treatment to give a patient. The artwork was used at a conference, online and on flyers.
Lee’s unique approach to graphic image making has a strong connection to traditional print based methods and has evolved through many years of experimentation. These traditionally printed elements are combined with digital and analogue graphic processes that include found ephemera, drawing and photography all described using a playful, visceral visual language that explores both concept and aesthetic in equal measure.
Lee describes his passion for graphic processes and obsession with surface texture as "playful, expressive and emotive". This approach has gained Lee commissions for print and web clients both nationally and internationally; as well as exhibitions in London, New York, Stockholm and Singapore and images published by AVA publishing, Bloomsbury, Laurence King, and Gestalten.
Find more of Lee's work in his Phosphor portfolio or contact Trina to commission Lee to animate your next project.
Léon Moh-Cah for School of Life
Phosphor's Léon Moh-Cah has created another animation for School of Life, whose videos, articles, books, app, podcast and services help people learn, heal and grow.
Lynn Hatzius Shortlisted for World Illustration Awards
Phosphor's Lynn Hatzius has been shortlisted for the AOI's World Illustration Awards 2025. Lynn submitted a series of collages she created for an A Level textbook, published by Liber for use at Swedish high schools.
Bob Wilson’s Ozzy Cartoon
Phosphor's Bob Wilson recently created this cartoon tribute to Ozzy Osbourne for a magazine.
Bob Wilson started out as an award-winning Art Director and later became a full-time cartoonist. His signature style of charcoal pencils and watercolour washes is immediately identifiable and his wicked sense of humour always shines through in the characters and the scenes that he creates.
He has worked as a cartoonist for many magazines, most notably for Punch and the Oldie. His work has featured in major advertising campaigns over the years including clients such as Heineken, IBM, ICI, Sony, British Airways, American Airlines, Coca Cola, Barclays, VW, Ford, Cadburys, EMI, PG Tips and Kodak to name but a few.
Find more of Bob's work at phosphorart.com or contact Trina to enquire about commissioning him.
Satoshi Kambayashi for Boat International US
Phosphor's Satoshi Kambayashi is excited to be working with Boat International US on a new monthly column. In the first illustration, Satoshi was asked to illustrate a crowd of common holidaymakers causing a stir next to the concerned captain of a superyacht called King Benji.
Satoshi brought his unique line and watercolour style to the UK many years ago, and since then he has developed a digital style with a similar effect, plus a more graphic flat colour version. The underlying theme is always his great ability to solve a creative problem by providing brilliant quirky solutions with a sense of humour, which is why so many magazines rely on him to interpret and conceptualise their ideas.
Find more of Satoshi's work in his portfolio at phosphorart.com or get in touch with Trina if you'd like to commission him for your next project.
Phosphor Welcome Pepe Serra
Phosphor Art are proud to say they are now representing Pepe Serra in the UK and Europe (except Spain). Pepe is a visual communicator and illustrator based in Tarragona, with a deep interest in how images can shape understanding and spark emotion. "My work focuses on turning complex, abstract, or nuanced ideas into clear, striking visuals that engage the viewer both intellectually and emotionally," says Pepe,who specialises in "fast-paced digital illustration, combining clarity, boldness and a strong conceptual core".
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