Kate Forrester contributes illustration to Brighton’s Enliven Art Trail.
Kate Forrester has teamed up with other artists and organisations as part of the ABCD Cultural Recovery Plan to help showcase the vibrant art scene in and around Brighton.
Kate Forrester has teamed up with other artists and organisations as part of the ABCD Cultural Recovery Plan to help showcase the vibrant art scene in and around Brighton.
Jesús Sotés has worked with Richard Chapman Studio to create a standout identity for Anamcara Capital, a technology company that helps facilitate small retail businesses.
Katie Ponder has been commissioned by legendary opera house and estate Glybdebourne, to illustrate a series of artworks promoting the different performances at the summer festival and winter tour 2022.
Happy Holidays to all from The Artworks! Wishing you all the best and a happy new year!
Thank you to Rachael Saunders for the festive artwork
Aurelia Lange has worked with design agency The Clearing to create an instantly recognisable and standout launch campaign for new shopping platform, Ownable.
Rob Ball has lent his flair for sci-fi illustration to Lonely Planet Kids new book Future Worlds; a pop-up book for kids describing what may lay ahead in the future.
Katie Ponder has illustrated the covers for two books by author Gillian Hawser, set during the iconic beautiful regency era which Katie has perfectly captured in her designs.
Chris Wormell has created a series of illustrations in his distinctive linocut style for pub chain Greene King, encouraging us all to get back in to the pubs.
Darling Clementine have illustrated an amazing range of M & S’s Christmas snow globe Gin & Rum Liqueur’s, with each bottle containing a small light that beautifully illuminates Darling Clementine’s illustrations as gold and silver flakes swirl in the behind them.
To mark the release of My Little Pony: A New Generation on Netflix, Rachael Saunders has been commissioned to reimagine ten famous horse paintings displayed in The National Gallery, London. Each illustration had to evoke the painterly style and composition of the original, but also encapsulate a fresh, vibrant energy, faithful to the new generation My Little Pony film produced by Netflix.