Phosphor's Lynn Hatzius is taking part in an exhibition this June in London. Wild Anatomies will explore connections between the human body and the world of plants through seven artists working across the disciplines of painting, drawing, ceramics, textiles, print and collage.
Butcher Billy lends his talents to a digital marketing campaign for 'Day Of Reckoning'.
The campaign was to drum up excitement for a multi-fight extravaganza in Saudi Arabia, set to be broadcast on the DAZN Boxing channel.
His contribution was a striking piece featuring iconic boxers reimagined in a thrilling zombie-inspired aesthetic, designed to complement a teaser for an upcoming 3D video game.
With a dynamic scene of pulsating action and raw emotion, BB's artwork infused the campaign with a vintage charm and vibrant colour palette. Through his distinctive 2D poster style, he brought an energetic edge to the anticipation surrounding the fierce competition.
Zara Picken created a brilliant cover and opening spread illustrations in her clean paper-cut style for lowa Stater, highlighting how the university alumni are producing world-changing work.
Anna Broadhurst was thrilled to be commissioned by The Observer, bringing their recent feature Generation Anxiety to life with her colourful and textural illustrations.
From her Brighton studio, Bryony has collaborated with global brands, providing artwork for a broad range of lifestyle clients and publishers.
She specialises in hand-drawn illustrations, blending traditional drawing techniques with digital colouring and texturing, creating delicate, playful and whimsical pieces of art.
Anjelica Roselyn created a mural for singer-songwriter sensation Tyla’s album launch in London. The pop-up features Anjelica’s signature bold use of colour and the female form, with playful blues and purples incorporated into the window design.
Ifan was commissioned by E&T magazine to do their latest cover artwork , the title feature, an increasingly common question, 'Is disinformation distorting democracy?'
Diarmuid was tasked with crafting five character studies along with a central composit of them all for the main feature in the March Issue of Frontline magazine.
This year’s Startworks graduate Anna Louise Oliver has illustrated a cohesive and magnetic series of covers for six literary classics.
Anna’s YA style has made the renowned stories approachable for audiences of all ages, whilst her clever use of perspective has linked the cover imagery to create a serial feel.