Phosphor's Lee Ford has been experimenting with progressing his style and treating figures in a more graphic way.
Lee’s unique approach to graphic image making has a strong connection to traditional print based methods and has evolved through many years of experimentation. These traditionally printed elements are combined with digital and analogue graphic processes that include found ephemera, drawing and photography all described using a playful, visceral visual language that explores both concept and aesthetic in equal measure.
Lee describes his passion for graphic processes and obsession with surface texture as playful, expressive and emotive.
Phosphor's Pepe Serra is a visual communicator and illustrator based in Tarragona, Catalonia.
Pepe has a deep interest in how images can shape understanding and spark emotion. "My work focuses on turning complex, abstract, or nuanced ideas into clear, striking visuals that engage the viewer both intellectually and emotionally," says Pepe, who specialises in "fast-paced digital illustration, combining clarity, boldness and a strong conceptual core".
While Pepe does have a distinct and identifiable style, often featuring long-limbed characters and a rich colour palette, the graphic communicator says he has "always been very clear that the common thread in my work isn't technique or style, but rather the concept and the idea I want to convey". Pepe says: "Illustration is simply a tool that allows us to communicate, just as we do with words".
"Over time, the technique has changed as a result of the tools I use, since professional illustration today cannot be understood without going through technological tools," Pepe told Diari de Tarronga.
Pepe regularly contributes to major international newspapers, collaborating closely with editors and art directors to meet tight deadlines without compromising depth or originality. Pepe says: "I approach every commission not just as a visual task, but as a chance to translate thought into form, helping audiences see things from a new perspective".
Alongside commissioned work, Pepe gives talks and workshops on creativity, conceptual thinking and visual communication. "I believe that illustration is not just a craft but a language — one that evolves constantly and offers endless potential for experimentation, critical reflection, and storytelling," says Pepe.
We are pleased to announce that we are now representing artist Lee Binding.
Lee Binding is a visual artist and creative re-toucher who treats key art like high drama and Photoshop like a controlled substance. Best known for turning cult television into cinematic spectacle, he creates art that feels epic and luminous. He moves effortlessly across retouching, digital illustration, packaging and key art - joyfully applying his craft wherever bold visuals are required.
Clients include BBC, BBC Studios, Sky, Random House, EOne Entertainment, 2|Entertain, Whatisbobo, Cubicle 7, Panini, SFX Magazine and Empire Magazine.
Anna Broadhurst was thrilled to collaborate with the design team at Hotel Chocolat, helping to bring their brand new concept store in Manchester to life with her joyful and eye-catching illustrations. Welcoming visitors to step into an imagined scene that celebrates Hotel Chocolat’s pioneering approach to ethical cacao farming, Anna also created a large-scale mural illustrating the story behind the brand.
“I fear I have fallen for a certain internet monkey” - @bugboyriley
Oh Riley, I fear the whole Bright team has too!
Riley is an illustrator who grew up in Cleveland, Ohio. He attended Kent State University and received a Bachelor of Fine Arts in Visual Communications and Design. He has since traveled across the country from coast to coast working for various studios as an Illustrator in both the children’s book and greeting card industries. Riley’s work is fueled by his friends and family he has found in the LGBTQIA+ community, as well as his wide array of other passions including the wildlife around him, and good food. In his free time, you’ll probably find Riley tending to his indoor jungle or cooking up something in the kitchen.
James Weston Lewis produced 5 different and dynamic covers for the Radio Times Winter Olympics Guides. We love seeing how James brought these daring and fast paced sports to life through his illustration style. He perfectly captured the beautiful scenery, the athletes and the essence of each sport in the 5 individual covers.
Mark Boardman recently illustrated the cover and main feature spread for the brand new magazine from Journey, the global design and innovation agency. Taking inspiration from the featured article about urban design, Mark’s illustration shows a modern landscape containing multiple environments for living and socialising, including workspaces and sports facilities. Using a minimal colour palette whilst retaining warmth and optimism, the illustration perfectly showcases Mark’s talent for creating exciting visuals of dynamic and contemporary spaces.
Simon Prades was commissioned by Usbek & Rica to illustrate an article about Tanzania, where the Maasai people are being driven from their ancestral lands by companies specializing in decarbonization projects.
Laura is an illustrator based in Barcelona, Spain. Her work is built around simple shapes and thoughtful compositions, using flat colors and rich textures. Her illustrations are often conceptual, exploring metaphor and double meanings. She enjoys experimenting with color and seeks tenderness and subtle humor in her characters.
Her work has appeared in publications such as The New York Times, Time Magazine, Los Angeles Times, The Washington Post, The Boston Globe, and The Wall Street Journal, among others.
Luiza Laffitte spices up Sainsbury’s 2025 panettone range with illustrations as rich and vibrant as the flavours themselves.
France-based illustrator Luiza has brought a playful, seasonal charm to Sainsbury’s 2025 panettone packaging.
Her hand-crafted illustrations combine festive motifs with a contemporary, joyful style that captures the spirit of the holiday season while standing out on crowded supermarket shelves.
Her work spans several flavour variants including the citrus‑kissed Sainsburyʼs Limoncello Panettone, the rich and indulgent Sainsburyʼs Chocolate & Hazelnut Panettone, and the luxuriously jewel‑like Sainsburyʼs Cherry & Amaretto Panettone. Each flavour is elevated through Luiza’s artworks, which uses a mix of festive botanical elements and elegant swirls to reflect both tradition and modernity.
The illustrated range is now available across Sainsbury’s stores in the UK.