“Blast Off”
Bee was commissioned by Simon and Schuster for Dallas Campbells' new book :-
'An illustrated Guide to Leaving the Planet '
Littered Classics
Martin Hargreaves paints litter within well known paintings for an E.Leclerc Ad Campaign.
Seamless
Blood Bros. is the newest illustrator to work on the ubiquitous (and celebrated) Seamless “How New York Eats” campaign with BBH New York.
Through October, the characters can be spotted wrapped around The Garden and nearby bicycle stations. Blood Bros.’s characters also wrapped the cover of TimeOut New York on October 11th to promote the campaign’s social competition.
Saint George’s Society of New York
James Taylor creates artwork for the rebranding of British philanthropic charity.
This month sees the re-launch of the identity for the Saint George’s Society of New York , an association founded in 1770 to help Brits in New York who have fallen on hard times. The rebranding was spearheaded by Landor Associates.
Paul Young illustrates cover for Altered Carbon
Dynamic and strong - this cover was produced recently, and has just now been revealed as the new cover for the book entitled: Altered Carbon by Richard K Morgan .....
Mark Entwisle
Artist Partners have always been renowned for representing many brilliant illustrators and painters - and Mark Entwisle is an artist that has produced some absolutely stunning work over the years!
Graham Carter Illustrates The Gravedigger’s Son
Graham Carter created this stylish cover along and black and white inside illustrations for The Gravedigger’s Son, the debut novel by Patrick Moody, published in hardback by Sky Pony Press.
Alex T. Smith Illustrates Grave Matters
Just in time for Halloween, Alex T. Smith teams up with Queen of Teen author Juno Dawson for this spine-chilling YA thriller, Grave Matter, published by Barrington Stoke.
Do YOU Know When The Grotlyn’s Been? Slipping Through Your House Unseen . . . – varoom 35 – the storytelling issue (editorial)
I knew I’d love The Grotlyn. It’s nostalgic — think Janet and Allan Ahlberg’s Happy Families or Burglar Bill, only with an edge, and a thrill of the macabre. Dickensian London is captured so beautifully, it’s already filmic in it’s composition.