The SAA are very pleased to be supporting the World Illustration Awards by sponsoring The SAA Agents Award for New Talent.
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One Day Studios in Victoria, Australia, provides equipment, skills networking opportunities for young people entering the digital creatives studios. Young Earl Grey's daft punk images were the inspiration for the studios new logo, featuring a girl and Robot called Mabel and "Switch".
Recently Rhea , aka Young Earl Grey, has been focusing on her character development work and this was the perfect use of her skill set.
Phosphor Art's scraperboard artist Bill Sanderson has created an illustration for the Atticus column in the new look SundayTimes (which was recently redesigned by Simon Esterson, Mark Porter and their team). Atticus is a political gossip column mostly focusing on Westminster. Bill was asked to create an image combining a snake with a pen - you'll find it every week in the Sunday Times.
Fionna Fernandes works for Fanta Australia on a social media campaign targeted at teenagers.
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Gary Redford recently had the pleasure of creating artwork for two of the UK's most popular brands. Quality Street and Cathedral City asked Meiklejohn artist Gary to refresh their logos, using his bold graphic style.
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Since graduating in 2010, Tobias has specialised in lettering, murals and typography, making it the heart of his illustration practice.
Residents of Warsaw have had a blast of colour injected into their daily lives with the installation of a Jan Kallwejt mural on one of the cities main streets.
Emma Cowlam has successfully launched into a new linear style which is going down a storm
Emma, known for her her unique approach to hand sewn illustrations; is successful , working with the likes of Elle, Elle Decoration, Living Etc & Country Homes and Interiors, Victoria & Albert Museum and Radley.
Ruth Rowland works on the new Bill Wyman logo for his official web site.
Ruth says "The development stage included a range of hand rendered styles, from handwriting akin to his own signature to this wilder version of his name using a dry brush to create a distressed, edgy mark. Combined with the designer's bold background and retro photo, the lettering makes a powerful impact on the music legend's homepage."
Kathryn Rathke has been keeping a secret for over 3 years! But now with the unveiling of the new Wendy’s logo, she can finally reveal her part in the project.
Back in 2009 Kathryn was approached by Tesser to aid them in re-designing the Wendy's logo. She worked with them very closely; sketching, getting feedback and revising over a period of months. Tesser were very happy with the animation and expression that Kathryn was able to distil into a few elegant lines, and Kathryn was honoured to be a part of such an iconic job working with such a great design team. Kathryn Rathke is represnted by Illustration
